The whole trilogy, it's about relationships
that don't communicate. That 's the one that impresses me the most, and I always try to talk about it in my films
because we talk a lot, but we don't communicate, and the closer we communicate, the worse
we The closer we are, the less we talk
We can only grasp reality through the fragments, we can only touch the fragments
Because it makes up our daily experience, we see very little and
understand less
But in the mainstream of cinema, we always Pretend to be omniscient and honest storytelling is
only possible through fragments,
so we leak fragments, and
the number of fragments expands the audience a little bit,
allowing them to pick something relevant to their own experience to connect (stimulate the audience)
music the same. You have the themes and the opposing themes, and then you have the frame How the
audience reacts, I want to create typical fragments, not intelligible,
recognizable, that's another story
Film always pretends to depict the whole, Characters are like this-----characters are never just that
They are still that, all "stills" are usually contradictory
That's what enrichment and exasperation seep into life
Art works are annoying because we're used to getting people to be that way Explanation
But in real life, you never know the reason, you can doubt
or have an idea, but the idea may be completely wrong.
When shooting a movie, the secret or the obligation is to create enough contradictions to make the life scene colorful and
"ping pong" long If the lens is a method of conveying information,
It lasts a minute at most, and people understand, no, because that scene lasts as long as it should
have You have another understanding, there is a secret hidden in the length, and the
length has to be conceived
I , as the audience, when When I saw this scene, I decided what to do,
first I saw a boy playing with a ball, and very quickly, I told myself, "Got it, next scene."
This is typical of what happens in movies, and then, it made me feel like Interesting, then, irritating me,
then, getting me tired, and finally, I said: let's see how this goes on and
on at some point, I started watching, deciding the right duration, it's hard to get
this long That's how the camera is
"beautiful" only in false images
"society" is a big lie
Violence , we make violence simple,
we feel violence is in a range that has never been shown
We feel beautiful and graceful
I avoid painting It's, it only exists under that idea, fortunately.
If I draw or try to draw beauty, it immediately becomes a lie
So I just don't show it to evoke it in the audience's reaction
Art is the lie of the truth that magically conveys (great definition)
if you achieve that , do not install to understand it
. . . . . .
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