No matter how everyone scolds the Japanese as perverts, there is no doubt that the Japanese dare to face their hearts.
Who does not have a seed of killing and tyranny in their hearts? Who doesn't want to pick up a heavy sniper rifle or a sharp sword in extreme despair and fear, and kill with the roaring wind and the frantic rhythm of rock and roll? Biaofei's internal organs and blood, trembling and tears, so that the insensitive soul of the industrial age can tremble and feel the power of survival.
After facing it squarely, I was able to stand in a relatively safe place.
I admit to my lowest level of brutality. So I watched "Killing City" three times and kept wandering about "Legend of Sword and Wind", "Death Madness" and "The Daughters of the Memory Goddess" and so on. I also watched "The Melody of the Goblin", but the additional warm love scenes always made the heroine's cold face not firm enough. I love Killing the City, it doesn't underestimate the audience's capacity, and it thoroughly allows the blood and brutality to dominate your nerves for the entire 25 minutes. Since the films of Wen Tun and Qian Zhan cannot break any boundaries, they also have no ability to rudely tear apart the darkest and most private side of people's hearts, leaving only meaningless epidermal healing.
The character settings of "Killing" are very differentiated, and everyone has their own characteristics. Excessive difference instead allows the viewer to project himself in all the characters. The most wretched male protagonist in history, the female protagonist who prefers suicide, the mysterious and neat boy, the benevolent and weak male No. 2, the adult woman who is rambunctious, the drag racer with internal and external contradictions, and the fearful but cruelly suppressed office worker. There is no definition of good and evil here, and it also avoids the mishaps that Japanese animation is willing to preach. If you insist on your own desires, you will survive. If you are afraid of facing yourself, you will only be torn in half. Viewers may also wish to put down the palms that are hidden in front of their eyes, and feel the secretion of various adrenaline together with these overly real little people.
So at the end you will find this film quite fascinating.
When I watched it for the first time, I was always in a state of anger before episodes 13 and 4. Obviously everyone has a strong tendency to violence, obviously the corner of his mouth has raised a cruel smile, but the gun in his hand is still trembling. The excessive repression and forbearance in real life finally got a chance to release in another world, but all of a sudden, he felt a lot in his heart. The wretched male protagonist is actually very cute. Although his movements are clumsy and pointless at first, he is able to roar and shoot, and cry out in cold sweat. You can also stage a violent and beautiful XOXO with your sexy sister in the abandoned railway. Looking at the ants hiding in that cramped room yelling what to do, damn it, but peeking at the big-breasted sister from time to time, you can understand why the protagonist is such a man.
Yes. I also agree. Whether good or evil, if you are weak and unable to face your fears, easily lose your desire to survive, blame others and cannot make any decisions, you have no right to live. Obviously the gun is at hand, and the bulletproof vest is on the body.
The world is always this simple. poor person must have something mean.
If the first part is full of Japanese perverted aesthetics, then the second part gradually sees a tragic color.
The details of love exposed on the water, the bleak smile, the sense of powerlessness about the future, the somewhat lost heart indulged in the killing and running. Give everyone a chance to get out of the blood and gasp and think. If this movie was just a bloody stunt, so many people wouldn't be obsessed with it. The weaknesses and inferiority of human nature are all laid out, but the author will not be so enthusiastic enough to tell the audience that you must learn naruto, get down like an unbeatable Xiaoqiang, and then rise up with enthusiasm and courage forever. Reality may not give you a chance to lie down and stand up at all. Once you lie down, you may become a messy corpse cut in half by a laser.
The warmth that flashes in the last few episodes is precious. In a mass of blood red to black background, the light can be powerful to sweep away the haze. Reality and fantasy are the same. After a brutal battle, there is no victory or defeat. The most poignant thing is that they hugged each other's broken bodies and cried with their last strength.
So far. This is just a bloody game of eighteen bans, staked with the lives of little people.
Brutal and straightforward, leaving no room for it, so it's so perfect.
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