A man who said that he only likes to wear turtleneck sweaters turned around and bought a plaid shirt under the superb sales skills of the sales lady. I tried to look at the movie from the perspective of clothing. If the male protagonist's favorite turtleneck is understood as his normal family life, then the plaid shirt is an accident. The male protagonist's plaid shirt is like a switch, and the "double life" that the male protagonist hopes is like a temporarily parallel track. When the male protagonist wears a plaid shirt for the first time, he is persuaded to buy new clothes, and to show his wife this new and seemingly insignificant change. The second time he wore a plaid shirt, Chloe found a new job, the dominance between the male protagonist and Chloe's feelings changed, and the male protagonist no longer passively accepted Chloe's feelings, just as He said, "The job made me so eager to see you." The third time he wore a plaid shirt, the male protagonist stroked Chloe's body. Previously, the male protagonist had tentatively asked Chloe if she was willing to live a double life? Chloe said, "Impossible." However, it may be that the male protagonist has given Chloe a more satisfactory answer to her long-term job search, and it may be their emotional breakthrough. Chloe invites the male protagonist to live a double life, from spirit to body. The male protagonist brought a pot of green plants. Maybe he wanted to live a double life with Chloe, but he woke up suddenly when he took off his sweater in front of the mirror. Family, stability, plain happiness, let him run away. I think the male protagonist's final choice or all choices are because of loneliness. In the end, it is not to escape from morality, but to escape to hope that he is not lonely.
View more about Love in the Afternoon reviews
