uh, I'm speechless

I have always liked to watch anime films in the style of Hayao Miyazaki's Shinkai Makoto. The descriptions of the pictures and the details of life really attract me, which is why I like watching anime.

Damn, the plot is really indescribable, and I even want to mmp in my heart after reading it. In the several anime movies I watched in recent months, I feel that the emotional portrayal, the story pattern and the fullness of the characters are in the author's mind, from high to low, "Hello World" and "Penguin Highway", and then "Weather" which is too framed. Son", and then the story of changing into a cat. To be honest, I was looking forward to it at first, and the setting of changing into a cat is also good.

①

The emotions in "Hello World" are delicately portrayed, and the plot is pushed tightly. The structure of the plot world is very large and filled and reversed at the last moment.

②

"Weathering With You" really framed the world structure too much and the plot was not well explained, and the emotional advancement of the protagonist was also slightly stiff

③

The emotional portrayal in "Penguin Highway" is really delicate and moving, and it also fills the audience with the memories of a summer.

(Continued from the above film review) After watching "I Want to Cry, I Put on a Cat Mask", I want to cry. I think the role of the heroine is okay, and the character is set in a careless way to hide the pain in the heart. When the heroine changed into a cat, she already showed her love for the hero during the day, so that the author felt that the emotional setting was too thin or even naive, similar to the meaning of adolescence. Because in the end, what the female protagonist said to the male protagonist was what she said to the male protagonist before, and there was nothing profound or sublimated. In the end, the male protagonist confessed that it was the female protagonist who accompanied him all the time and made him feel in love.

The plot is thin. The point is that it looks like a comedy but is not funny. The interaction of changing cats is really awkward, and the female confession in the narration when she takes the initiative to move is really making people want to fast-forward. and the final fight,

The setting of changing a cat is really good, but the film uses this setting only when the heroine goes to accompany the hero to live at home. It will be more exciting if it unfolds. And the plot of the divine tree is also the same problem. It is simply to pull out the setting of Spirited Away and simplify it. Why does the divine tree awaken and how it will be completely left to the audience's brain to supplement (=_=)

The main idea is probably to express the courage to express one's heart, even a carefree person has a painful side. The problem is that it was seen in the first ten minutes, and the plot did not sublimate in an hour. However, the final narration stated that the heroine's desire to speak her heart to her "selfish" parents and stepmother was sublimated. The whole plot progresses bluntly, and the various psychological changes of the heroine being a cat and improper and returning the mask to Soybean Rice are inexplicable. It's not so much to say that the strong twist is sweet, the male protagonist's feelings for the female protagonist are too single, and they are clearly developed passively. As well as the heroine's father who supports the female students, etc., thin and superficial, and the characters are flat. Don't say it, Netflix should make a good drama, don't invest in commercial water films~