Kazan understands this kind of play very well, creating a sense of oppression. Boomerang! It's the same oppression, but I thought Panic in the streets was better. In a limited time, there are constant conflicts. At first, there are doctors and police, then doctors and sailors, doctors and reporters. The screenwriters continue to create and resolve conflicts, and even the final shootout scene is no longer important.
Public panic has been a good subject for a long time, and it is now. But how to shoot so that it looks good? The most traditional method is dramatic conflict, which is the key point. Without this, no matter how panicked the drama is, it will be flat and nothing to watch.
View more about Panic in the Streets reviews
