The hidden line of the whole play is the reappearance of the heroine's childhood scene and self-redemption. The last sentence "hi mom" can be regarded as a reconciliation with the past.
Compared with the original film, this spin-off drama has many more complex modern relationships, including sexism, racial discrimination, collusion between officials and businessmen, and criticism from the system. There are not many horror points, more of which are replays and tributes of clips, which are nothing compared to the original. The psychological analysis part, which should be the highlight, was lackluster, and I thought it was a deduction item.
I don't quite understand why the miracle son of the pharmaceutical company can make the heroine startled and flee in an instant, saying: Can you see me now? But he is a clown who helps the tyrant, why did he choose to swallow the gun in the end, shouldn't the heroine stop him out of humanitarianism? It felt like she was even suspected of dying in that scene.
The general law (self-proclaimed legal advisor) made a good reversal, and as expected, there was a loneliness in the big house. In fact, I think the biggest reversal should not be that the miracle son wants to continue the miracle, so he keeps impregnating women, why is the genetic defect that the grandfather struggles to get a son, and it is not better to have a grandson.
There are many hidden emotional lines in the film, there are Electra complex, there is a deep love between sisters, and there is brotherhood. Well, Qi Yue Wu Yi and Zi Tong Pao in the FBI are a bit too positive~, I hope the sniper brother will not Better to be fired.
In the end, I think that the psychoanalyst Miss Li who came out of Chinatown is the bright spot. She is a bit like the female Watson in the British drama Sherlock Holmes. You can make a sequel to her, which seems to have a lot of stories~~
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