Not Turks, or Turks, Mongolians,
not Kurds, or Arabs, Caucasians,
whether they speak Turkish, or Arabic, Kurdish,
whether they believe in Islam, or Christianity, Judaism,
we are we
live in the present and
bear history
Looking into the future
-------------------------
UCCA Dragon Boat Festival viewing.
Heavy stories, bright images, especially contrasting.
The photography is very elegant, the angle change is strange but smooth, and the connection of several angles completes the beginning and ending of a plot.
Often a good casting is half the battle. The eyes of the Turkish girl Ao Sui were as dark as fate. As soon as he looked up at the camera, there seemed to be a thousand words, but they were all silent.
The soundtrack written by the original author, Lifan Nally, is divided into two major themes, sad and happy, which are very suitable for the movie. Especially like the movie, it is not exaggerated or snarled. I prefer the theme of sadness, quiet and forbearance, with power lurking.
Personally, I think the only shortcoming is that the film is too long, and there are signs of procrastination in the latter part. It might be better to shrink down to 90 minutes.
(Title borrowed from Symposium Lifan Nally's answer)
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