The first time I read the September issue in 2010, I was outside the threshold of fashion, and the second time I read the September issue in 2014, I was still far away from fashion. However, looking back now, fashion is just a medium, and the queen ANNA WINTOUR is still standing.
For an industry, ANNA is the leader. She decides the designer's work, the connection of the brand, and must grasp every detail of "VOGUE". In the play, the focus is not so much on her personal work style, but as a microcosm of the entire fashion industry.
In Shanzhai China, watching such documentaries is always shocking in body and mind. Fashion is not a superficial trend, or a simple star effect. Even the shooting of a product also integrates knowledge from multiple perspectives and requires a cultural background. Historical knowledge is integrated into art, music, film, literature and other multi-angle cultures. Fashion is the highest aesthetic taste of human beings. Unfortunately, we have only touched the fur, but four years later, it is still out of reach. I am not talking about personal fashion cultivation, but the fashion feasibility of the whole country.
We are at odds with culture, we are separated from the people, we cannot talk about aesthetics, we cannot love art, we are a generation with cultural faults, and even a generation lacking aesthetics. Talk about fashion, first talk about originality, talk about godmother, first talk about industry.
Four years later, when I rewatched the documentary, it gave me more profound thoughts than four years ago.
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