The film is mediocre, and the editorial department does not have enough details. What's interesting is the sense of conflict. The disputes between anna and grace in the
beauty or success editorial department are the most obvious, the conflict between editor-in-chief and creative director, beauty and popularity.
Grace said regretfully, I don't need any stars, and I have nothing to lose. But she has to admit that the use of stars is one of the most important means of VOGUE's commercial success in recent years. What a beautiful film for grace to make way for the not-so-beautiful cover star Sienna Miller blockbuster. Fashion is beauty, it is Vanity Fair.
Values
Anna was born in a British intellectual family, and her relatives were obviously opposed to her values. She was a little embarrassed. Her parents, elder brothers, etc., or helping the poor and weak, or taking up a job in the serious newspaper "Guardian", they did not understand her. She took care of her eldest daughter and hoped to inherit her mother's business, but her daughter's heart was "other things" such as law, not fashion. Of course, it's not who's values are more correct. The most determined people in the fashion industry are often not inherited from the family. Grace is also the only person in town who reads VOGUE.
According to faith
, when shooting a Roman Holiday-style blockbuster in Rome, extras dressed as cardinals walk around, and the photographer's order is the only legal decree. This is of course the domineering of faith: if you believe in beauty, even God can be a tool.
View more about The September Issue reviews
