In the first third, I really feel that the IQ of the protagonist is not online, but the film with a score of 6.9 is not so ugly, so I continue to watch it, and it feels good.
For example, why did the protagonist's family of three not bring a mobile phone? This is indeed a bit unreasonable for the current situation in which mobile phones are inseparable in today's society, and it is impossible to live without mobile phones. It's understandable that children don't have mobile phones, but the two adults don't have mobile phones. Did they forget to bring them? Or that the pat got wet and didn't bring it on purpose? Fortunately, after the protagonist returned to the hotel, there was a shot of taking out the mobile phone. It seems that both mobile phones were out of power at the same time, and they were charged in the hotel. In fact, simply giving a shot or a few lines of lines can bring this problem over, and it will not make the audience entangled in this matter all the time.
Another example is that after the protagonist was brought back to the mainland, he honestly called to raise money. Compared with his size and that skinny black man, he could fight him or escape to the police quickly, or knock him unconscious and take him to the police station, etc. . . . . It can be done, but the protagonist is as honest as I am, and he is also drunk.
In short, the first third is all about the IQ of the protagonist. After the police came on stage, the story started to look good. The protagonist's head seemed to be enlightened all of a sudden, and his movements were quick and quick, which seemed to be out of tune with the first third, like a vegetative person suddenly woke up from the hospital bed. the same.
But the last two-thirds of the plot is indeed worth watching. Whether it is dealing with the police or fighting with the villain, it is very real and believable. Although there are no big scenes, several big visions are still beautifully shot. It also goes well with the music.
However, the plot still lacks the scene of the mother and son surviving on the deserted island. It would be great if the male protagonist tried his best to find a way to intersperse some scenes of what kind of danger the mother and son encountered on the deserted island and how they worked hard to survive. Unfortunately, the screenwriter directly It is assumed that the mother and son have been in a coma. It is understandable for the son to be in a coma. The mother, an adult, should not have the same physique as the son, which is a bit far-fetched.
In addition, the ending is a bit rushed, and it should be a picture of a big reunion, which seems to be more complete.
All in all, it's a pretty good movie, and the story is old-fashioned, but there's still something remarkable about it.
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