The first is the movement of the hostess and mother on the day of the kidnapping. The hostess said when she persuaded her childhood best friend not to blame herself, too many ifs... One of them is if she asked her mother to drive her to the kitchen that day to be honest, her father was always there In the office, my mother was alone at home, and the principal was her target. On the day of the kidnapping, I was also wondering if my mother was at home chatting with the principal, and the hostess saw that she was vaguely unhappy and would not let my mother send her away. The second is Why doesn't the heroine run away? The movie and TV series I watched before about Stockholm Syndrome also mentioned Stockholm Syndrome, but I think it's not the same as the heroine's situation in this drama. The heroine is more like being trained. Conditional reflex, since I was 13 when I was a child, the kidnapper told the heroine that if you are with me now, other people will no longer like you, they will dislike you, only I like you, and you also like my brainwashing, and then In addition, if you don't obey, you won't be given food, and you will be beaten. According to other comments, even beasts like lions and tigers are obedient after training for a long time. It's a bit like the relationship between a pet and its owner. If you take your pet out for a walk, even if you let go of the rope, she won't run away (except for Erha).
Third, is the relationship between male police officers and female police officers really a British drama tradition? I still remember seeing the other two British dramas where the male and female partners are a bit messy (this is a rant)
The attitude of the two policemen changed several times. The male policeman, I think he showed more distrust and arrogance than the female policeman at first, but then maybe it was the experience of the female protagonist's hard work and the appearance of the female protagonist. His attitude changed, and he even felt like he fell in love with the heroine a bit (it seems that males are easy to fall into this hypothetical plot for the weak) and at this time, the policewoman (and ambiguous object) noticed it all at once, so it didn't matter much later. The friendly interrogation can't be said to be entirely selfish, at least partly due to jealousy. Later, the male policeman peeked at the female lead's medical record and found: oh, you don't seem to be as helpless as I imagined, so the fantasy was broken and angry, haha, and the attitude became tough. Guilty again
So long-winded, I want to say that this description is quite true. It is very easy for people to fall into their own emotions or assumptions. After making up their minds, it is very difficult to persevere to the end, and it is also difficult to be completely clear about public and private (like me )
The last little point, the heroine will touch her hair when facing the male policeman and Tim. This is a way to show the charm of women, thinking of what the kidnappers did to the heroine and the environment the heroine was in. , This should be a subconscious habit developed by the heroine when she used to please the kidnappers. (see the last episode for the most obvious)
View more about Thirteen reviews
