Just as the people on the three fleeing spaceships in "The Three-Body Problem" become "inhuman" the moment they enter space, women in the 18th century struggled to survive in such a cold and hypocritical environment. At this moment, the universal moral humanity can no longer be used as their code of conduct, and all their paths must be explored in a society without bottom lines by the lessons of the flesh and pain. They live by instinctive desires, but they must always beware of being destroyed by instinctive desires. Can the first person to give his soul to the devil finally win the race for survival? Either way, it's worth that heavy metal anthem to ring behind those looking for the bottom line in hell.
In terms of plot setting, the fast-paced, colorful tones of the British drama, the logical and clear plot line, and the character contradictions that advance to the climax like a mathematical formula make this drama a good look after watching it in one breath. Among them, the role settings of the three prostitutes + two daughters are also very intriguing. Three generations of prostitutes, the old lady is completely insane, and uses the most cruel way to make a living. The two prostitutes of the mother's generation became independent by the spirit of resistance and established a brothel with a bottom line of humanity. But they still chose different paths. One fought with the old lady for business and resolutely took revenge to the end, while the other stayed in the slums and adhered to their ideals. In the generation of sisters, the elder sister chose latent revenge after being a mistress and experienced love; the younger sister broke out completely after being shy and naive, and took the S road to wait for her clients to teach her. These three generations represent different life stages of a prostitute, and each role is the unfolding of a life choice. As time progresses from generation to generation, what outcome a woman's choice will face will be reflected in the fate of these characters, as if joining a parallel universe of the timeline. The experiences of generations and other prostitutes together construct this image of prostitutes.
The resistance of young people has never stopped, but will the future of the sisters follow the path of their ancestors? Will their descendants join forces to resist the inhumane trade of their clients? In which generation is it that the descendants of prostitutes can raise their legs and get a freedom of choice? It's a little comforting to see Lucy's out-of-place arrogance in the ghetto, the squeamish innocence, the ill-timed no, and the poke that causes a lot of trouble for everyone. Although she is just a weak greenhouse flower, this kind of young man's instinctive resistance may be the power to change a world that has been caught in an endless cycle of entanglement of interests. As far as the young man can fight with this power, the world rolls forward a few minutes heavily.
Looking forward to the second season, expecting the fat girl's children not to be sent away, expecting her sister's revenge, and hoping that everyone in hatred will not fall into paranoia, and expecting her sister to mature. Even though they knew they were living in the future of the 18th century, they still expected these girls to gain money, rights and freedom in the future.
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