Unconditional favoring more reflects the lack of Margaret's own experience and extends a plot line about her daughter, which enriches the characters of the group drama. But this is more practical when Margaret is the heroine. This is a group portrait. Many brushes and inks focus on the little daughter, so that what she needs to embody the most is the mother (including Lydia) who treats her child because of her own experience. The doting of their characters—their character flaws, their fatal weaknesses—the sorrows of women of the age—the main theme of the play—presented by the younger daughter—weakened. The screenwriter didn't grasp the degree of the youngest daughter very well, and there was nothing to please, and this drama is still a very emotional "cool drama", and the youngest daughter seems very out of place. And it is precisely because of her that too many plots are unfolded. This "partial protagonist", who is decisively and resolutely different from this drama (the two bosses and the eldest daughter as the main body), makes this drama in a certain In some plots (everyone suffers with the hypocritical girl), the audience is very upset. Of course, the image of the little daughter is actually quite successful, and the coddling is reflected in the fact that she can take the initiative and not be regarded as a prey passively. Or, the screenwriter can come up with such a character is also very good, she is not suitable for this play.
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