A movie that will make you want to make a movie whenever you watch it. It is very good and has aura, but it is flawed. I think one of the four feature films made by Karax in the 20th century is not as good as the other one. Although "Boy Meets Girl" is a wild way, it wins with strangeness. I personally feel that the only better film than this one is Binoche. The appearance of "Paula X" is not to be talked about, and without Lavant, the Neanderthal freak, to charge Karax, his film immediately struggled.
A series of back and close-range artillery fires are extremely dense, what is this? Gundam has found the reincarnated soul boy before he died? The dialogue that leads to Alex is quite naive. This kind of naivety may be intentional. All Karax movies in this period are talking about one thing: escape from aging, So the title of the film is still good in English, "The Night is Young". Karax is not afraid to compare himself with Rimbaud, and narcissism at this stage should be allowed. The problem is, if you speak Spanish you must be considered a seducer, if you speak French you must be considered a provocateur. Provocative what? The old French cinematic order represented by Piccoli?
Skydiving is very interesting. The extreme pleasure evoked by skydiving binds the three theme lines represented by the three protagonists under one umbrella, and Pikori, an old bone, talks about a juvenile mad with two little kids, and the teenager and the old man compete The girl, France resists the United States, the old man resists the young man, and the old man is the future young man? The movie is a bit of a dilemma at this time, because the early stage is too big, and there is no way to push the rhythm to the high rhythm of Alex's hand speed at the beginning. Speed is the kingdom of art The hero who is always left out in the cold. This movie loses its speed and starts listening to Alex's poetry reciting, but at the same time, this is the first movie I've seen that talks about "hot", "Are you cold?" The question Marc Asked once when I met Alex for the first time, and was thrown the second time and that was the end.
After an hour, the movie got out of control. Alex and Anna didn't interact properly for almost 45 minutes. From Marc to Hans, from Alex to Thomas, from Anna to Liz, all of them seemed to be avatars of Karax, Karax's His eyes are very good, and his hands can be very agile, but sometimes he doesn't know what to do. If this is a cool essay with rhythm, then it is best to end it when Alex finishes saying "recharge your energy", because it is difficult for the subsequent death paragraphs to be neither sensational nor pretentious. Young people, when the situation is tense, there will be a lot of nonsense. This is normal. Almost one of the 10 nonsense sentences is a little poetic, which is worthy of praise. The whole film goes high and low, and at the end it is still revealing, but the beginning cannot be denied because of the lengthy ending.
"The streets of the city have my love," the New Wave left a Paris to its children. Countless geniuses and mediocrity are involved in the melee here. Because in Paris, anything can be poetic, and even the banal scene can inspire some kind of dream. No one can say no to such a Paris that breathes the night and breathes light and shadow. It is not uncommon to be childish, but the film is still strong enough to make childishness cool and magnificent.
I was very disgusted after watching this movie more than 10 years ago when I was young, and thought it was a retrogression of the new wave. At that time, I still had too many unrealistic fantasies about the movie, and I thought that the movie could not be seen or not. In "thinking", we have to assume some kind of intellectual and even spiritual responsibility. Looking back today, Karax's generation lived at such a delicate juncture between the new wave and the postmodern. They took over the mission of their predecessors to integrate intellectual films and Hollywood films, and did not leave much success. Watching this movie is watching a memory that doesn't exist. Remembering the golden age when movies were only available to the few
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