One of the reasons that attracts me is that beautiful things have a sense of distortion: the beauty that I want to protect, the blurred and abstract plot, the moving lines... I would like to use this film as an anchor to experience the infinite romance.
I suddenly felt that the development of the story was like many short broken lines connected. There are always turning points and corresponding fragmented developments.
The opening is two seemingly unrelated character groups: teenagers and girls and "mixing". Through the clue characters repeatedly mentioned in the dialogue, the two are naturally strung together. The doubts disappeared immediately, anticipating the arrival of the encounter, and curious about the form of the meeting.
This must be a turning point .
The young man was obsessed with "changing his life and starting over", pursuing it with stubbornness and arrogance. This nihilistic goal is the reason for abandoning the girl. It was because of this abandonment that he had the opportunity to reveal such a romantic voice in his heart:
Liz, my little Liz. I went, first to the beach, and who knows after that. Because sometimes pulling one hair can move the whole body, and once one thing is solved, everything will be solved. I know it's a crime, I'm the murderer, and you're my warm pistol, left at the crime scene. I hope the fingerprints I leave on you will disappear, and I know that being young will preserve your ignorance of the world, which is a good thing. I walked without leaving a trace. Liz, don't think "time will heal everything", be proactive, fast, fast, and forget me as quickly as possible. Go to bed with boys and men. I can't forget the first picture you sent me, your most beautiful one with the sentence "When a girl spreads her legs, her secrets fly like butterflies". Have sex with a condom. Lise, listen, I won't see you or touch you until my questioning on you is gone. Forget...forget me, and live a good life. I kiss you Liz, trust me, forever and ever.
The second turning point is the fantasy setting of STBO's loveless sexual contagion. At this time, the "real hat" was finally dropped, and after that, the audience could continue to make a fool of themselves and open their minds.
The next turning point comes from: Anna asks Mark to say he loves her. Because before that, there were too many foreshadowings that made us think of Anna and Alex too simply - um, they are really scumbags. For example, Ana, who is afraid of heights, appears to be determined to sing the opposite because of Alex's protection.
The fourth turning point is: they have a whole night of time together. Alex described the dream in ventriloquism, what a unique confession. This scene is very exciting, the lines are filled with a unique sense of youth, or the character behavior is full of dramatic performance.
I have to feed my eyes for nighttime dreams.
- I used to be a frighteningly quiet child, and I kept silent. Wrong, silence keeps me.
- Silent people are uncomfortable and you'd think he's either a genius or an idiot.
She is a fideist, religious, and she believes in forever. She adores me.
I like big guys, you are too small. I like men who are 20 to 30 years older than me, or younger than me. I like men who remind me of another person.
- I can close the screen.
- No, a man's eyes are not the wind.
I have to tell you that I have a strong feeling that without you I will miss the world forever.
There are also nonsensical clips: dancing on the street with the radio, mother and son learning to walk on the street, the heat wave of Halley's Comet, overturning the car, face-to-face phone calls, bubble wars...
After that is the most special turning point, which also means the climax of the main storyline. Alex has a confrontation with the American woman. Will it be betrayed? Even Anna emphasized "We must save Mark" after spending the night together. This doubt is more tense than the crime scene.
At the same time, Liz caught up with Alex's track. She came back mysteriously and forcefully. Motorcycle angel, enjoy the smile of speed.
favorite color
Favorite close-ups and lighting
Finally, favorite lines
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