After watching episode 4 of Beastars, I couldn't be more excited. How to say it, like seeing the dawn of the future world.
As said in "The Soul of Chess", it seemed that he saw the wave of the future, just as Legosy ran to the stage.
What is this animation talking about? The core is the class conflict and the relationship between the sexes, which endows the thinking with so many layers, which is as gentle as Ghost Extinguishing, but more profound. Such an overly complex and unpleasant thinking core is successfully presented in a concise and lively way. The beauty of the layered thinking is like a deep and distant painting.
The author's most admirable place is this ability to simplify the complex. Logically, this is the same issue as the New World of The Hunter, but it's handled in such a different way that it's amazing. Fujian's method is purely masculine. He entered the alley with hard inner walls under rigid and high-density thinking. Apart from diehard fans, there are probably only a few audiences, which led to the graphic novel of Fengju. How he handles such difficult follow-up growth is yet to be seen. And Mrs. Baliu's handling is gentle, tough and powerful, quietly infiltrating more hearts in a concise way.
Although the story itself describes a rough gray wolf, dull, ignorant, and clumsy, it has an inexplicable slender and soft atmosphere. The male protagonist, Grey Wolf, is the most gentle and powerful male animated character I have ever seen. After watching the fourth episode, I have completely determined the ranking of this show in my mind. If this kind of production continues, it will definitely be ranked among the masterpieces of the animation industry. This is a strong work. Senior Louis endowed the dialogue with rhythm and beauty, and matched it with the violin soundtrack, bringing the animation to a new level. Louis' overwhelming aura, restrained and rhythmic utterances, compared to tiger's rapid and weak recitation, watching animations is like watching a drama, what kind of experience is this? The animation complements the sounds and movements that cannot be presented in the comics, bringing surprises beyond the realm of imagination. For most of the manga, I can imagine the manga to complement the anime, even if I watch the anime again, I can't be surprised. Ghost Slayer's action and special effects processing can be said to be very good, but I am not a fan of special effects at all. I always feel that I did it to attract popular fans. But Beastars completely broke the stereotype of cartoon animation. Because of its niche market positioning, it simply made a complete poem. Classical music, astonishing and delicate action descriptions, artistic dialogues, and vivid and complex characters give people the feeling that Yuan Quan is acting in a drama. Every character in it has shades of gray. Greys, blacks and dazzling whites burst out with the ultimate sense of drama under the colorful depth of field. Of course, I'm talking about personalities here.
After the "Ghost Slayer" animation was broadcast, I learned that the author is a woman. No wonder the way of thinking is unique and deviates from the inherent style of juvenile manga. As female authors, Itagaki Baliu and Gotoge Kushiharu share similar tenderness and power. I think they are the only women writers since Hiroshi Arakawa who can compete with men. As a legend of a generation, Aunt Niu lives in a more severe era. Regarding the freedom that women have been deprived of for a long time, if they want to exchange for equal value, they should give up everything to gain freedom. The environment for female authors in the new era is slightly softer, and they are more thinking about how to be strong as a weak person. Butterfly Ninja couldn't cut off his neck, so he became a powerhouse with poison. Louis is a natural herbivore, but he has the incomparable spiritual power to make carnivores admire and surrender. Women's works seem to be relatively slow, and many people who analyze Ghost Slayer on YouTube are reasonable. Female authors don't care about gorgeous fighting scenes, but are more concerned about delicate psychological activities and character characterization, which makes it difficult for them to become popular. But such works are like a clear spring, injecting powerful blood into the market full of men's inherent thinking. Just as the forest of detective novels must not be without Agatha Christie, one female artist after another has finally broken the top-notch market dominated by men. Like a sharp blade piercing the sky, the female artists wielded the poisonous sword like a butterfly with gentle power again and again.
Comics are the most economical art creations, and they can be achieved with only pen and paper. It makes perfect sense that talented women are the first to emerge in this field. In this new wave, it seems that we can vaguely see that women in the future will go to a deeper and broader art field, which makes people feel excited.
I think one of the advantages of female authors is that they are not constrained by fame and fortune, they will not drag the plot, they can simply kill and make decisions neatly, and realize the willfulness of prosperity. Watching Gotoge-sensei's weekly bento really got me. . . . . . But it's better to have lunch than to remember to kill, so it's reasonable.
Senior Louie made me cry when he came to the stage, and he was about to scream like a brainless fan from the audience. Anyway, the fourth episode is already a god in my heart. I read it over and over many times, and after listening to ed dozens of times, I decided to write this article to express my excitement. How should I put it, the top male works are really simple and rude, and it often makes people feel that a creature with one less chromosome is really simple and bright--the feeling. Most of the male routines are also straightforward, and they start fighting, killing, running, jumping, jumping, flying, and walls in the next second, and that's about it. . . A little marvel. And strong female works are almost virgin fields that few people have cultivated.
By the way, gossip about my story with the Beastars
And - the friends of the Sinicization group, please make friends with me
I started watching BEASTARS because I saw an annual selection in Japan - this manga is really interesting. I searched for all the comics that won the award that year, and only found a few Chineseized ones. After chasing after one, the others were abandoned, and only BEASTARS were chased. After chasing for a while, I found that the Sinicization was completely stopped, so I turned to English. After chasing English for a while, Yinghua also stopped updating, I couldn't help but meow meow, and then I found out that it was to animate copyright restrictions.
As a result, look at it again, the Sinicization group has changed! And the crazy update, one more ten words, instantly surpassed the progress of British meat. The most interesting thing is the crazy interaction within the Sinicization group, watching the sand sculptures of the melon-eating crowd bursting with gusto and showing the mentally retarded aunt laughing. It seems that there is a core person in the soul, who inspires everyone to work hard and have fun. It feels that the Sinicization group has directly become a hot-blooded young man. Eating melons from the Sinicization group has also become a great joy. The sinicization group has become a funny version of "Dream Eater".
Finally, I quote a lyric of my beloved Mika Nakajima, she was almost deaf during the live, and in order to find the rhythm, she squatted down and felt the vibration of the sound on the floor. Seeing such deeply blissful works, people can't help but feel, "People like you exist in this world, let me like this world a little; people like you exist in this world, let me a little bit I have expectations for this world." "In order to describe strong hope, you must first describe the deep darkness, and life is the same. I hope to hear the last of you and continue to live seriously."
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