He said he was another Adele, so she went to see the movie she always remembered. Heavy rain, from silence to aphasia, listening to the rain by the window, silent past life crazy. Speaking and writing are the blessings of God, and I have never dared to be such a lucky person, so I stopped talking and quietly watched the director tell the story.
At the end of the film, Adele stands by the sea with her long hair fluttering and her skirt fluttering. Adele's face is superimposed on the screen, and the sea water is rippling behind her. She looked directly at us, and said obsessively and persistently to the camera: "There are thousands of mountains and rivers, thousands of mountains and rivers, to meet you, this kind of thing, only I can do it!"
About this scene, Mao Jian'er once In his book, he commented at length: "This shot is probably the most frenzied stare a moviegoer has ever experienced. Adjani stared straight at us from the screen, her breathless tone of voice. Come on, her crazy beauty is heartbreaking, this shot is a test for the audience, because Adjani's frantic look strongly calls us to join: either stay in a safe place to grow old, or enter her kingdom , burning. Truffaut doesn't have to worry about the realism of the film at all, he magnifies Adjani's whispers to the point of shouting, and the audience has to decide for themselves whether to stay, or to share the fate of the characters, or to get out of the way..."
See At this moment, are you sure you can dodge it? Are you sure you can dodge?
The rain has stopped, and perhaps the opposite of Adele's forbearance love opens up another unknown enchanting in the dark night. Destiny is always too hasty to intervene, and it is better not to know it, lest you forget it when you see it.
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