It was the first time I watched the "Youth Handbook" to analyze the film in a serious manner, and I was quite touched.
It turns out that a film can be analyzed from only one point of view, and it is neither thin nor unreasonable.
An excerpt from my favorite part of the scene where Lincoln meets his lover:
Around Lincoln, the site presents the law-woman-nature relationship, structured according to a complementary and transformation-alternative architecture.
Lincoln had an intimate conversation with the law in nature;
at the moment of this conversation he met the woman: Lincoln-the relation of the woman took the place of Lincoln-the relation of the law, for the presence of the woman interrupted Lincoln's reading, and at the same time She expressed her appreciation for Lincoln's learning and encouraged him to use his talents to be learned and law-abiding.
Confessions of love are made in nature, according to the classical cultural model nature - woman. But above all, the ascension of the river to that of the woman coincides with the disappearance of the woman from the scene; this ascension is expressed by throwing the stone out.
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