———————————— An explanation that no one cares about ———————————— The
landlord did not insist on updating, and felt very guilty, so come back and explain why it is not updated ( although no one cares).
Because the landlord has entered a new pit, Kento Yamazaki, although his acting skills are now a little tender (you are sure not bad...), but for me, it is very interesting to see the artists I like grow up.
Finally, let’s go back to this drama. After nine episodes, I watched it live, with real-time translation. Maybe the sense of substitution was not so good, so I didn’t think it was so attractive to me later. In addition, as I said before, I am not satisfied with the emotional scenes. I feel that pink is not as good as Renxian, and the plot is not as good as nine episodes, that's all.
————————————The first foreword in the sixth episode ————————————
With the ability of the screenwriter, it should not leave too much room for us These ordinary audiences go to catch bugs, just in the gap period of chasing dramas, especially in the time when W may stop broadcasting at any time under the obscenity of the Olympic Games, we can only entertain ourselves and burn our brains.
I have seen the screenwriter's "Renxian" and "Nine Times" before. It is said that "Renxian" was written in the middle of the screenwriter's creation of "Nine Times". The two screenwriters are mainly playing with the dimension of time. The hero travels from one time to another. I guess the writers might level up in W and play with both dimensions of time and space to make the story more complicated.
The following are some of my questions and conjectures so far. As the plot progresses, these questions will definitely have answers.
(After the seventh episode)
This episode is really cruel and sweet. It seems that the next episode will be sweet and cruel, Keke.
———————————— The second preface in the ninth episode ————————————
1. The ratings have dropped again, which is a little distressing. Is it because of the Olympics? Or is it that there are too few emotional dramas and the audience is not satisfied? Or is the plot too fast for the audience to accept?
2. When we experience great luck, we will think that it is the blessing of God; when we experience great trauma, we will use fate to comfort ourselves. If one day, like the male protagonist, you find that your destiny is controlled by others, with good and bad life, do you want to resist? Or just enjoy the good part?
3. Did the character of the man in black appear to slap the face of the screenwriters? It's like saying: Ask you screenwriters to write characters with weak personalities, far-fetched motives, and circles around the protagonist. Do you dare to write every character fuller? !
4. In fact, for female audiences like us, the most important thing is love scenes. For us, suspense and plots are all for the emotional scenes of the male and female protagonists. From episode 5 onwards, the plot part has been overwhelming. Suspicious, affecting my enjoyment of love line. The sweet place is not sweet enough, the crying place I can't cry, I am very unhappy, temporarily changed to 4 stars.
———————————— The top question is updated to the ninth episode ————————————
1. About time. Now I know that the prototype of the male protagonist was created by the female protagonist, and it can be believed that she positioned the male protagonist as a peer of the same age, so I think that at the beginning of the comics time, the male and female protagonists are the same age. But the frequency of time advancing in the two worlds is different. For example, in the comics, the male protagonist was hospitalized for two months, and only half an hour passed in the female protagonist's world; another example is the male protagonist soaking in water. The comics time stops, and the real world time has passed for two months. The time of the two worlds moves at different speeds, but they are relatively consistent, just like two children playing together, I chase you and you chase me, but they always walk together. Is there a factor that connects the two worlds of time?
2. About space. The travel of parallel time means that people are in the same space at different times, and this play actually has two spaces, so in what state will the door connecting the two worlds be opened?
(After the seventh episode)
3. The rules have changed? The heroine is no longer immortal in the comics.
(After the ninth episode)
4. After the heroine's father painted the man in black with his own image, did he lose face? What's the new rule?
guess:
1. I don't know if the screenwriter will make a fuss about the time. (After the eighth episode) The screenwriter used dreams as a means to reset the time in the comics, and played the part of amnesia.
2. There have been two cases at present, one is that the male protagonist is stabbed and injured, and the other is that the male protagonist finds out that he is living in the comics in prison, and there is no obvious pattern. (After the eighth episode) Now the man in black still can't find a way to go back to the manga in the real world, hahahaha, it's also cute.
3. How can the screenwriter justify this change? Look forward to it. (After the eighth episode) The heroine has become a character in the comics because of the relationship with the male protagonist (different from when she first entered the comics, she is now a role that promotes the plot of the comics), so she is also flesh and blood in the comics now exists.
4. In guessing
——————————— The character question is updated to the ninth episode ——————————— The status quo of the man
in black
:
If the male protagonist's family was killed that time, it does not count, Because as the writer said, it may just be a setting. At present, the man in black has appeared 3
times time to assassinate the male protagonist on the roof of the building (comic),
the second time in the apartment (comic),
and the third time on the bridge (reality ). Or comics)
(after the seventh episode)
appeared in the form of phone + text for the fourth time, and said that when looking for the male
protagonist (after the eighth episode),
now I know that the male protagonist's whole family was killed that time is also the appearance of the man in black, and Now it seems that it is meaningless to count the appearance of the man in black. The man in black is the "setting" of the comics. This "setting" will follow the male protagonist for a lifetime. More importantly, this "setting" seems to be in the Before the male protagonist, the first character with self-awareness in the comics.
(After the ninth episode)
The man in black has the image of the heroine's father, and the heroine's father has lost his face.
Questions:
1. Why was the male protagonist assassinated with a knife? Why not just use a gun? Why not assassinate and not kill?
2. In the apartment, the man in black obviously came at the heroine, because the gun was aimed directly at the heroine. This time, the gun was used obviously to kill the heroine. Why?
3. Why did the low-key man in black suddenly appear on the bridge so blatantly? Also attack passers-by? Why?
4. Is that a bridge in the real world or a bridge in the comics? Because at that time, the heroine was dragged into the comic again, and the comic changed from the end to the to-be-continued, so the comic world should no longer be in a static state. However, the 7-episode trailer also stated that the man in black did come to the real world, and it was for the heroine.
(After the seventh episode)
5. The man in black said he was looking for a male protagonist? where is he? How can I contact the host by phone? Is he still in the real world? Is it because I don't know that the male protagonist has returned to the comics, so I didn't come back? Or because he can't come back?
6. The man in black said that there must be a settlement between him and the male protagonist. What is a settlement? The man in black said that the male protagonist cannot die, which means that he did not want to kill the male protagonist before, so why should he stab him with a knife? Since the male protagonist can't die, how are they going to settle it? I said my brain was dry.
7. Assuming that the man in black is indeed a character or "setting" in the comics, it can be understood that he has the same self-awareness as the male protagonist. What about the man in black? Does the heroine's father know about this situation but hide it?
(After the ninth episode)
8. After the time reset, did the memory of the man in black reset?
Conjecture:
1. I feel that the man in black does not want to kill the male protagonist. The writer said that the male protagonist is a monster, maybe the other bigger monster is actually a man in black. He is also out of the writer's control, and what he does is getting more and more terrifying, and the writer can't do anything about him, so he wants to kill him. Male protagonist, end the comics, and thus end the Men in Black.
2. The scene where the writer was angry and smashed the computer was when the man in black appeared and wanted to kill the heroine. Maybe the writer's anger was because of this. As for why she came to the hostess, I still haven't figured it out.
3. (After the eighth episode) The man in black attacked passers-by. It should be that after he knew that he was a cartoon character in the real world, he understood that he was being hunted down in the cartoon, so he must keep a low profile; but in the real world Again, he has every reason to do whatever he wants.
4. It is a bridge in reality. It seems that the man in black did follow the male protagonist to the real world.
5. At present, my guess is that the man in black is not so omnipotent. He will also encounter some obstacles and abide by some rules.
6. The man in black should not be the "hand-painted board" in the minds of netizens, nor the "dialogue box" I guessed. Now it seems that he may be the so-called "setting" in the writer's mouth, because the initial setting is male. The Lord has no family, so when the male lead gets married, for the man in black, his wife must die. Moreover, if you think about it a little bit, this setting is likely to be given by the heroine at the beginning.
7. The same as my guess above, I think the heroine's father must know that the man in black has self-awareness, and it was before the man's self-awareness, so what the heroine's father wants to end is the man in black.
(After the ninth episode)
8. I think the memory of the man in black is still there. And he seemed thoroughly enraged. Status of the
heroine : The heroine's father is a cartoonist, a popular comic named W, but it is known that the heroine created the prototype of the hero. The heroine can enter the comic, and the record is as follows: the first time was dragged in by the hero, the second time was on the phone, it was mentioned that the hero might be poisoned at the corresponding time point of the manga, and the third time was on the phone When I mentioned the male protagonist and lost consciousness, the corresponding male protagonist was almost hit by a truck for the fourth time when he mentioned a blind date on the phone (probably made the female protagonist think of the male protagonist) The time corresponds to the man who has been soaking in the Han River. At that time, the man in black may have been thinking about what to do to the male protagonist (after the seventh episode) The fifth female protagonist continued to draw to save the male protagonist and the male protagonist regained consciousness and subconsciously thought of the female protagonist . The sixth time the male protagonist misses the female protagonist in the meeting room
(After the eighth episode)
The seventh time the male protagonist wants to bring the female protagonist back to the world of comics in the car
(after the ninth episode)
The eighth, ninth, tenth, and eleventh times the male protagonist's subconscious memory will be brought back to the female protagonist from time to time. Bring back the comic
questions:
1. What is the rule for female protagonists to enter comics? Mobile phone? The consciousness of the heroine? Is the hero in danger?
(After the eighth episode)
2. Are there any rules for the position of the heroine in the real world and the manga world?
Conjecture:
(After the seventh episode)
1. At the beginning of the seventh episode, the plot shows that the male protagonist's thoughts of the female protagonist will drag her into the comics. This can be interpreted as a change in the rules, or it can also be interpreted as the male protagonist is missing the female protagonist four times before.
(After the eighth episode)
2. The position of the heroine from the comic world back to the real world is regular, as if she is going back and forth from where; but her position from the real world to the comic world is not very regular, not from a certain place in the real world. A location to the corresponding location in the comic world.
The
current situation of the male protagonist:
The male protagonist is a cartoon character and gradually has self-awareness.
The emotional fluctuations of the male protagonist can form a small comic ending. That is to say, the comics that appear are based on the male protagonist's emotions, and only events that cause his emotional fluctuations will be drawn. Although some trivial things have always happened in the comic world, they will not become comics.
(After the ninth episode)
The time and memory of the male protagonist in the comics were reset to the rooftop after he was assassinated and met the heroine's father and heroine respectively.
Questions:
1. Why go to America at such an important time? Regardless of the key to life, what would he do in America?
2. When the male protagonist arrives in the real world, why does the comic continue?
3. What is the difference between the male protagonist dying in the real world and in the comic world?
4. Why is the male protagonist so confused about people saying that the female protagonist is a beautiful woman?
Conjecture:
1. It should be to go to the United States to create an identity for the heroine, because knowing her current situation, not having an identity is very dangerous. As for the marriage mentioned in the notice, Las Vegas is the only place where you can get a certificate on the day of the wedding. The question is do you not need the parties to attend?
2. The comics are centered on the male protagonist. Wherever the male protagonist goes, the comics will be drawn wherever the male protagonist disappears.
3. (After the eighth episode) The male protagonist will not die in the comics and in the real world. As long as someone continues to draw, any death behavior of the male protagonist can be explained by dreams.
4. In guessing
——————————— Sweet dividing line ————————————
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