When it comes to the Middle East issue and the Iran-Iraq issue, I always think about how to sniff out the suffering and suffering of the people of Dawn in the high political wall that does not leak any traces. However, the suffering of this film has a sense of truthfulness. Follow-up photography, hand-held photography, various documentary styles not only give this Iranian film a Cannes gold photography trophy, but also give the viewers a sense of the barren soil in the war. People who "have nowhere to put" have a kind of comparative concern, constantly comparing themselves with developed and developing countries, as well as with the self-inflicted self-inflicted wounds in the comfort zone. Not sensational, not exaggerating, just showing, this is an honest expression of self-respect for the essence of life. In fact, it is not necessary to cry about the suffering of others and the suffering of self-styled.
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