Everyone in the play is more or less unable to love, and desperately wants to love. The perfumer behind the scenes seems to have a simpler desire to collect those desires and make them into liquids that can be put into bottles. For this reason, he must draw materials from people, but instead of killing himself, he uses one human being who longs for love to kill for him. He would distribute the perfume to these people, but in the end he would keep a jar himself, like a god. People who become tools of perfumers are really pitiful. They want to use perfume to gain the love of others, and they want to use perfume to manipulate people, but they are actually manipulated by the perfumer behind the scenes. I think people who have desires will have weaknesses. And the heroine, born with loss of smell, seems to have the least desire, like a frigid person, so she is also the person closest to the truth. But as everyone knows, she is also degrading step by step in the investigation, using Kai's underwear to experiment again and again, and this is still the tip of the iceberg to see the truth. When she actually discovered the perfume in the hands of the psychiatrist, she was still in danger. The huge desire in the heart comes from seeking and not getting it. Only when you look at it correctly can you be relieved. This principle may also work for other things. But what about children who lack affection? How do they get it right? How to relax? So the sins six adults are committing today are actually the result of abuse as a teenager. It seems that everyone's misery can be traced back to childhood. Even the heroine. The most curious thing now is the childhood of the perfumer. Seeing that he started manipulating others in boarding school, what happened to his childhood? Why does he see perfume and love as creation and synthesis?
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