When I saw the poster, I knew that I would like this kind of film. It is clean without any bloody scenes and hideous pictures. All fears are simply reflected in simple lenses.
The face of a baby can always be so innocent and cute.
I am enough I believe that the greatness of mother's love can revive a dead baby. Perhaps this is a kind of whimsical. The stiff and blue baby in the camera finally moved its small head in the non-stop pleas. The blood has already started the main line.
The picture will never have any gorgeous, clean cool colors, and the animal programs that are always playing on the TV
in the room. The flies lingering in the baby room, the cat excrement, the dead mice, the unknown stench of the baby , and the fouling grinder in the kitchen later in the film, the rotten apples, everything is metaphorical.
A smear of blood when the first fly was swatted to death, the slow motion after Madeleine really fed a child to drink blood for the first time The downward scenes, Vivienne's almost perverted behavior of wanting to put mother's love on her granddaughter after her son's death, these scenes give a powerful psychological suggestion.
There is no horror or horror scene in the whole play, Madeleine's expression It is always calm, even at the end, when she began to dedicate her body to the toothy baby, there was still no trace of panic or sadness on her face, and she was pale from beginning to end.
At the end of the play, on the black screen, For Mom.
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