As long as it's a Sophie Marceau movie, I can always watch it from beginning to end. This is probably the charm of idols. My favorite image of Sophie Marceau is Anna Karenina. It seems that Anna can only be Sophie.
I watched this movie because of a friend's recommendation, and I thought it was a suspense movie, but it turned out to be a love movie. It's really enjoyable to subtly intersperse the plot of a love movie with a suspense movie.
The elegant Sophie Marceau seduces men on the train for a particularly fun part. When Western men meet particularly beautiful women, it seems that they are not much more courageous than Chinese men. At that time, I thought that men are always more imaginative when facing beautiful women, while women are more ruthless to use men.
François, disguised by Zimmer, faced a contradiction. If this woman loves Zimmer, she will surely reject Francois. When she fell in love with Francois, she betrayed Zimmer. In fact, Zimmer and Francois are the same person.
At the same time, asking Sophie to seduce a man to get rid of the stalker is another order given to her by Zimmer. So he probably wanted to see if this woman really loved him Zimmer, and Sophie had to reject him (he became François) to show her sincerity to Zimmer.
That kind of plot was really interesting until Francois's identity was revealed.
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