It's another movie about the theme of return, and I can still feel a little horrified at the cruelty and coldness of "Return". The gloomy graphics, the deep voice acting, the muffled dialogue, and the commonly mentioned fixed shots all tell a heavy theme.
I love so much!
The composition of the dark tones in the lens is very deep and moving. The simple story has complex and deep emotions in it, and the inner struggle of the characters is very three-dimensional.
Unlike "White Ribbon", he eliminates all suspense and pushes the truth to the loneliness and strangeness of life. I am afraid it has the expression of alienation of urban people.
It's so painful!
I don't like the shot that follows the spring (moves down), it's too long, and it's a bit too sculpted. I don't like two of the obvious character scheduling skills, that is, the dialogue in the woods, where the male protagonist is obviously walking around from behind the camera, and when the ending calls, the male protagonist is obviously in that room. Two things made me realize it was acting and filming. I don't like that the woman singing the ballad was photographed so close at the end, maybe the big vision is better, not to mention that the woman should not have the desire to be famous on the camera.
If you don't like it, it's a personal reason. It may be another major feature of the movie, maybe.
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