the boundaries of everyday life

Many shortcomings are still a masterpiece. When watching the show, I was often surprised by its jumpiness, and wondered if this was really a daily/campus show? It gradually became clear that Haruhi Suzumiya was narrating the daily life in a super-ordinary way, using imaginative settings to show the exploration of the boundaries of day-to-day life. The endless August is one of the core and essence of the soul. In fact, every day life is such a repetition in the final analysis, but people are constantly forgetting or dull enough to perceive this kind of boring. To break this cycle, only Get the courage to act - and move on to the next cycle. The cycle of more than 500 years is due to Ah Xu's procrastination and hesitation, and the head of the team opposite him is so energetic and motivated to challenge the boundaries of daily life and try to break one cycle after another.

There are also subtle games in the three interpretation methods of missing collective, time line crossing and closed space, including whether the head of the group is a god or Axu is a god. However, it seems that the animation did not give a lot of space, but left a lot of intriguing lines and meaningful details. Even if it is over-interpreted, you can find the thread in the animation. For example, Akatsuki told Haruhi that the three beside her were the future aliens and superhumans, and then Haruhi wanted them to exist and they existed, or it was Haruhi who told Haruhi that they existed first. There are also the state of Kasuga's unconsciousness, the struggle between common sense and desire (using Jung's eight-dimensional analysis is the mutual inhibition of Si and Ne), and so on, it is very interesting to think about.

The disadvantage is that it is a little unacceptable to the emotional line between the head and Axu. Although the sense of existence is not strong, it is still inexplicable. I thought that A Xu's trust in Nagato and his gentle attention, as well as Nagato's highest authority given to A Xu, were more loving. By the way, to praise the endless August, the previous understanding of Nagato was probably set very flat and depended on ability, and in the cycle of eight episodes, there was no deliberate characterization of Nagato, but this kind of repetition was used. The act of watching makes the audience understand Nagato at once, thus making the character three-dimensional, allowing people to experience her inner world and create a connection of empathy.

This series in August is also enough to see that Jingani is not kitsch (although the second dimension ten years ago was inevitably charming like a senior). The same plot, different storyboard color dubbing and background music convey completely different emotions. Personally, I think that Ishihara Li also supervised the best episode. In the end, the scene with the second hand turning the scene was amazing, and the mood was very depressed. Other paintings, bgm, etc. have been praised too much. Jingani, continue to spoil my quality requirements for Fan!