Probably my favorite movie so far. When I watched the first half, I always felt that the pretentious heroine was very annoying, but the more I went to the back, the more I could find my own shadow in her: I was afraid of loneliness, but I couldn't adapt to the crowd. Sensitive and fragile, when no one is around, she sheds tears without warning, and keeps covering herself with "worked hard". One second he was still living in an illusory obsession, and the next second he showed his rational side, and at the same time he had his own superstitions. Recalling the horoscope that the heroine's friend read to her before her vacation: "You are lonely and seem depressed because of it, it's a vicious circle, but you're too stubborn to change", even though I'm not a Capricorn, I feel like using these few One word to describe who I am at the moment is really apt.
At the end, there is no longer any hope for the holiday, but the heroine is attracted to a strange man at the station, and under the guidance of some mysterious force, she follows this man to Saint-Chandeluz, where she uncharacteristically The man opened up about his seemingly contradictory desire for love and hopelessness. At this time, she seemed to be different from the one who explained her vegetarian diet in Cherbourg.
And this conversation seems to have found a reasonable emotional outlet for the heroine. After that, her state of getting along with strange men became extremely relaxed, and her eyes were also rarely tender. Perhaps no one remembers that before this, whether in Paris or Biarritz, she had been rude to men who wanted to strike up a conversation with her.
In Saint-Chande-Luz, the heroine and the strange man saw the last rays of the sunset over the sea - the green light. At this time, I have left behind all the so-called physical principles behind the green light. The refraction and dispersion of light have nothing to do with it. I know that the green light is in my heart. When I decide to love, I will see it.
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