It is said that Day Break will be broadcast until the ninth episode? I only saw episode 6 anyway; I guess most people thought the plot was too boring and they resisted, so it got cut.
In fact, when I only watched the first two episodes, I also thought it was a damn bad movie; but the plot improved a little after disappointing, and while I was waiting for its plot to explode, the authorities declare it dead.
The male protagonist begins to face the rising sun more and more in each episode, getting out of bed and facing his unchangeable destiny. The fatalism is manifested here. He is busy saving one of the people, but the other person dies; he tries to save the dead person, but another person dies; like the paradox of time travel, you can never change the script The fate of someone dying, the director just changed the label of death again and again.
The male protagonist sometimes faces the dilemma of trying to figure out if he really wants to save someone - someone who dies on this day but will come back to life again on this day; he chooses to save people because he knows, I mean He didn't know if the day was going to end there, he couldn't take the risk; what would we do instead of us? Risking this cycle of possible ending, disregarding human life and learning a truth that may not work?
The story is set to get the clues of the murder bit by bit to advance the development of the plot. Such a story might just be that; or it could be made into one of those beautiful Yokohama shopping trips, apocalyptic tales, and if so, it might be a fairy tale—sadly, it’s still a story of conspiracy.
The father's debt to the son seems to always appear in every civilization; this may be a story about the father's son, and the son is involved in the conspiracy of the story; this kind of story mode is actually very similar to Prison Break, Sometimes you just need to draw an analogy to find some interesting commonalities in all kinds of stories.
The story revealed more and more clues, accompanied by more and more mysteries, and then they were mysteriously intertwined.
It's a murder, and here's another murder that gets all the fans; they have an organization, they infiltrate a lot of surprising departments and connect with a lot of surprising people, but even the They themselves don't know what they're really doing; maybe even the gods themselves don't know what's the fun in doing it. In fact, it seems that a level does not have much meaning (the only meaning is to point to victory, Game Over can not be called meaning, faluier means restart) In the game, they are just small bosses, and the big bosses behind the scenes are always invisible of.
Day in and day out, this can be a scifi idea or a very philosophical question; just when people want to clarify one of the themes, the show is blocked. (Text / len calvin)
PS. Now of course I have finally finished watching it all, and the ending is still quite satisfactory. It should be a blessing not to continue the second season!
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