First published on the public account "Detective"
ID: ttyingtan
Author: Detective
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The detective said before that the freshest and most exciting fight this year came from "Upgrade":
I'm sorry, the detective has to take this sentence back.
A cool action movie of a Korean loli has refreshed people's perception of Korean movies, and there are more than one loli.
This action movie that can make people watch the glomerular explosion is "The Witch".
Violent Director + Oxygen Girl
The detective has been waiting for a long time because the director is Park Hoon Jung.
It was he who directed New World, known as the "Korean version of The Godfather".
The film still maintains a high score of 8.6, which shows his level.
He is a powerful rookie in South Korea . The detective has reviewed all his films, and the style of the film is very good.
He is the screenwriter of "Seeing the Devil", the theme of the film is eroticism and violence , and the Korean national uncle Cui Minwei has made him a perverted erotic.
The "New World" and "Big Tiger" he directed are also full of violence.
This year's "The Witch" is even more exciting, because Park Xunzheng, who is known for his violence, even chose a girl to star this time.
The heroine Kim Duomi was born in 1995 and is 23 years old this year. She is gentle, sweet and full of energy.
It's hard for you to associate such a pure girl's face with bloody violence.
However, Park Hoon-jung did it, and the effect was very satisfying:
Park Hoon Jung also squeezed amazing acting skills out of this cute face:
The huge difference between the two parts of the film has polarized the reputation of the film.
The story of the film could have been simple and rough, but the director just foreshadowed it for more than an hour.
So much so that the first half was drowsy, and after watching the second half, I couldn't sleep for a few nights.
In the end, "The Witch" was stable at 8.2 points on NAVER, a local film website in South Korea, and the score was not bad.
In a hurry, the girl who was originally harmless to humans and animals suddenly became the goddess of life.
Taking 5 lives in just 6 seconds perfectly explains what it means to be caught off guard.
But after 10 seconds of hanging up, she changed back to innocent girl mode.
The routine of "The Witch" is exactly the same as that of "Bourne Bourne", but it still has a new idea.
The reversal of the film will subvert everything you know about innocent girls.
10 years ago, at the age of 8, she was already the most terrifying figure, and 10 years later, she finally broke through the ultimate bottleneck.
Not only does she have extraordinary speed and strength, she can even control objects.
Extremely pure violence aesthetics
"The Witch" can be said to be director Park Hoon Jung's new attempt at action films.
Some people say that it is too long, but this is precisely the advantage of "The Witch".
General action films are basically a balanced mix of one literary drama and one martial arts drama. Park Xunzheng completely separates literary drama and martial arts drama, and goes to two extremes.
The audience can only experience the extreme violence like a wild horse after experiencing the warmth of the gurgling stream in the first half.
For Park Hoon-jung, violence has been his eternal motif since "Saw the Devil".
The inspector praised "The Witch" because this time he finally broke all the shackles.
Violent movie classics include "Kill Bill" and "Killer Hajime".
This year there is "Upgrade", and last year there was "Wicked Girl" in South Korea.
But they all dance with shackles.
Although the computer-controlled physical fight in "Upgrade" has a wide-open mind, the male protagonist still cares about good and evil, and is entangled in who should fight or not.
"The Evil Girl" amazes countless people with its 5-minute first-person visual long shot at the beginning, and the subsequent actions also add women's softness, which is extremely fragrant.
But the audience is still worried about the protagonist's strength, she will be injured, her combat power will decrease, and she will die.
The Witch is nothing like them.
What it brings is the most direct and straightforward violence aesthetics. It has abandoned right and wrong, and only shows the violent desire in the heart of human beings.
Every character in the film kills without blinking an eye.
Throat cuts, headshots... even without emotional catharsis, pure violence can bring pleasure.
More importantly, every punch and kick of the heroine is no longer restricted by morality, and even ignores all physics and chemistry teachers.
She is god-level, an invincible existence, absolutely crushing everyone.
Both relieved and happy.
Park Xunzheng turned around and finally found the most primitive and simple expression of violence.
After all, violence is a part of human nature. Park Hoon-jung just removed all the shackles and brought the purest sensual orgasm through pure violence.
Overall, "The Witch" is a good work, but the detective feels that the foreshadowing is a bit too long, and if it is shorter, it will be perfect.
The heroine's "witch" image with kindness has been established. She is not a superhero, nor does she represent justice, because she has never been for the truth, goodness and beauty, but for herself.
She is just a girl who wants to live a good life.
At the end, the heroine not only found the mother of genes, but also found a sister . The film came to an abrupt end, but this has set up a large enough platform for the later story.
The sequel plan for "The Witch" has begun, and the detective is looking forward to it.
At the end of the film, everything suddenly returns to calm.
Like reckless hysteria suddenly finding inner peace.
Humans who have established a civilized society will eventually hide some animalistic things in their hearts.
After all, ordinary people are still between gods and beasts, but they tend to one end from time to time, so some people are holy, some people are beasts, but most of the time, humans have always been moderate.
(Follow the detective ttyingtan, and reply to the witch to watch the film)
View more about The Witch: Part 1 - The Subversion reviews
