I've been comparing him to The Last Gang while watching this movie. It is also a French police and bandit film, and it is also full of all kinds of fascinating elements. It also highlights the depth of the bond between brothers. But the only difference is that the Lyon gang has less quirky clues, less romance, and more truth. Through the switching of memories, the film is orderly and uncluttered, reaching people's hearts.
There is such a sentence in the opening remarks, about the father's advice. To be a man you must learn three things: decency. Be careful. persist in. Highlight the last item (insisting on their relationship) When M knew that S was a whistleblower who had been hiding for so many years, the sentence that we didn't scratch the rake still resounded in our ears. After M handed the gun to S and left alone, there may be such a subtext: As a brother, when you are in trouble. Even if I give up my safe life now, I'm fucking going to help you. It's okay to kill for you and to be the enemy of the world for you. However, betrayal does not only mean to me M alone, those other brothers and relatives who died must have an explanation. Get your guns and deal with yourself decently. Take out the courage of the year, those young memories will not turn yellow!
In addition, almost everyone in the scene is very taciturn, and their words are like gold. But every sentence and every paragraph of dialogue spoken is profound and powerful. The absence of superfluous lines and boxes makes the story so compact that there is no chance of smoking or brewing coffee in the meantime. For example: M's wife told him, I have served you in prison for thirty years. Because I love you. It looks normal, now I don't know what is normal. As for M's answer, he lowered his head and expressed his guilt towards the family, but still left the sentence: Do what you should do without thinking about the consequences. This is exactly what the policeman admires about M. This is exactly where M moved us. Because there are too many betrayals in reality, and such romance can only be shown in movies. Of course I believe there will be such people. It's like I believe the truest and most profound emotions in human nature are.
Let's look at the supporting role: when she asked her how to tell her child about the fact that his father was killed by his grandfather, he suddenly broke into the picture and opened a bottle of beer and looked at her with unquestionable eyes, and told his father Beasts are not as good as they deserve. Yes, say so.
"I thought you would compliment me." "It only works the first time." She lay on M's shoulder and said that you are so fragrant. With the intoxicating music time also began to flow slowly.
"What's your name?" "J" "Do you like children?" "Of course you do." "Want to have a baby?" "Maybe one day! But first I have to find their father." "You've found it. .I mean when I see you, I say to myself that it's her." "Do you use this
trick often?" "No, it's the first time." Touching dialogue. Say no more. The handling of every detail in the scene is very subtle. For example, when M and S stole a box of cherries for the first time, they were caught and stripped, and the facial muscles of so-and-so twitched for a moment.
I've always enjoyed French movies like this, where he tinkers with the sap of romance into the walls of reality. Popcorn, Coke. Sore nose. Enjoy it. (Flesh and blood) Like admiring the Eiffel Tower in a dream.
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