In junior high school, I watched a Korean drama "The Witch Youxi", and I was touched at that time. I feel that the characters in the play are not only talented and beautiful, but also dare to love and hate, and have the courage to break through the shackles of the secular and class barriers. This Korean drama is somewhat similar to the previous one, but only in a few ways. It took me a lot of hard work to keep watching.
The plot is too protracted and has no bright spots, and it still uses the old routines used in previous Korean dramas. Interspersed with the two protagonists who were kidnapped and locked together when they were children, they made a lifelong contract, and there was still an emotional shadow from then on. The protagonist's mother. . . Anyway, it's so bloody, I don't know what to say.
Disconnected from real life, the audience has no sense of substitution. Emotionally, both sides are very hypocritical. This kind of person has worked for nearly nine years and is still the first love? In the play, there are no less than ten lenses where the male and female protagonists express their verbal love to each other. It's boring to watch, I believe the actors also find it boring.
It feels good to attract audiences simply through appearance and production costs. A really good movie is not about how low the production cost is. The key is that the production cost of this drama is quite high, but it is not as good as a micro-movie.
Several pairs of supporting role couples with a sense of joy are characters close to reality, but too few shots are given. Including Secretary Yang, Deputy Gao, and the woman with wavy blonde hair, they all have distinct personalities. Although a little exaggerated, people in society have different personalities and ideas. That's the only good thing about the show.
A screenwriter who writes fairy tales has no logical and imaginative introductions. Screenwriters are allowed to make their own decisions.
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