I can't resist wandering, that's what makes it great

The first time I watched it was at 18 minutes, the second at 35 and the third at 42. Then I allowed myself to get distracted, just like his son, I allowed myself to ignore her a little bit, after all, this is not too abnormal.

In fact, I like Akerman very much, to the point that I constantly stimulate myself and say, "This is her movie, watch it carefully!" But even so, even if I get nervous, I still get lost in a trance sometimes. It wasn't until the next second that I realized and jerked my thoughts back. I was secretly shocked -- precisely because the movie made it impossible to focus the entire time, and this movie was so damn good.

For a 3-hour movie, its script is either so thick that it takes such a long time to dilute it, or it relies on infinite dilution of the already thin script to gain artistic effect. This film is bizarrely accounted for 2 kinds.

I've been distracted so many times without having to worry about missing a single episode (except the ending, of course); but in the episodes where I'm really engrossed, the nuances are all over the place for me to extract.

Jeanne's seemingly inattentive, but delicate and accurate "focus" when she does things is actually an instinctive and ingenious concealment facing her heart, concealing the reality that she has nothing to do, concealing the fact that she is largely devoted to herself. A life in which emotions are parasitized in others.

The part of mixing drinks, I think is the most neurotic and therefore the most terrifying part of the whole film. She poured milk and coffee, added sugar and redo it all, but this long series of apparently meaningless actions seemed so full, filling the timeline, Jeanne did it step by step with a flat expression.

But her heart is completely the opposite of "stable". In the middle of the film, when she was peeling potatoes, she lost her mind for a while. If she didn't pay attention, she couldn't find it, and most people couldn't find it, including herself. After all, she wouldn't remember such trivial things as "I will be distracted". . But as the number of days increased, and the silent dinner time hoarded daily, some of her little out of control became frequent and obvious, such as she would forget to turn off the lights when leaving a room, forget to put the living room table Porcelain cover for saving money. In fact, this indescribable transformation takes ten years to brew in real housewives, which is why I say that this script is too thick and needs time to support---too Short, unrealistic, but impossible to be realistic, only a little bit of deviance in the world of movies.

"Hold your breath" is the word that should have been used to describe how I was in the last 5 minutes. I couldn't take my eyes off of me, my mind was thinking fast. Knowing that she was sitting at the table, maybe she wouldn't move until the end, but I still dared not look away. Her undulating body and rhythmic breath were the only chance I had to understand her now, after all I don't seem to have taken a good look at her - was it because she couldn't push the pig-like man away, and that momentary irritability exploded everything?

The screen went dark, and she just continued to breathe slightly. I may not have a chance to know.

PS : 2 people sitting at the dinner table in silence and eating potatoes; every day there is a seemingly redundant line of text telling you "when is it"... these are a lot like "The Horse of Turin" (or should be the other way around) said), Tal has a vision. And, Akerman's genius I will always look up to.