The story is extremely chaotic, this is not the chaos of storytelling, not the chaos of editing, but that every character and every character in it is in chaos, and the families of various children of chaos live under the same roof. , crooked and stinky. The one-eyed father is the character who plays the most roles. He is at home all day long. This big family from the bottom is all selfish and has ghosts. At the beginning of the film, a long shot of passing a baby in the middle of the night shows all the living beings in this crowded and cramped house one by one. Fights, theft, quarrels, prostitutes, and transvestites are the main manifestations of this chaotic area on the fringes of the city. The one-eyed father peeking out the window of a transvestite fuck a woman is wretched and joyful. There are many movies about the living conditions of the underclass in Italy. As a nation with a strong family concept, it is quite common for a large family to live together, especially in the post-war period of economic decline, such as Visconti's "The Locke Brothers" , but it's a bit too much to live with a dozen or 20 people like in this film... The flirting and ambiguous pictures of the one-eyed father and the fat woman seem to be looking at the men and women on the mural, all white and fat. , but it is not exciting or even impotent... At certain moments certain passages remind me of Kusturica.
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