The story of Sissi and the Austro-Hungarian Emperor Franz Joseph became well known with the spread of the movie "Sissi". Most people pay attention to the beautiful fairy tale of how they fell in love and got married. The later stories of the two are more real and forgiving. meaningful. When Joseph, who was of marriageable age, was attracted by his lively and lovely cousin, Sissy, when he asked his aunt for her advice, Sissi said without hesitation, "Who wouldn't like someone like him?" and then added another sentence, "If he's not the emperor!", a prophecy. Likes are personal feelings, and identity roles are social realities. Getting married is the end of the ideal and the beginning of reality.
The young queen immediately knew that her character grew up in a freewheeling environment and the red tape of the court did not fit in, and Joseph's mother, after successfully raising her son to be an emperor, devoted herself to making her daughter-in-law the queen in her mind. Sissi's court life is depressing, depressing, and insecure. She fled Vienna and roamed abroad in the name of therapy. She gained praise for her beauty and cultivated self-confidence. After ten years, she finally got "all the rights to raise children" and "the autonomy to deal with personal affairs" by coercing her divorce ten years later.
Outside of marriage, both have their own confidants of the opposite sex. The queen's object was the charismatic Hungarian nobleman, Andrássy. She persuaded her husband to give Hungary considerable autonomy. Andrássy became the first prime minister, and Joseph retained the title of Hungarian emperor. Because of work, the two families are closely related, and Sissi begins to find that Andrashi values his career and national cause more, and the close relationship between them gradually disappears. Rumors spread about Andrashi and Sissi, including that he might be the father of Sissi's youngest daughter.
Qianqian has worked hard to keep her figure and looks, including getting up early every day, eating very little, doing hours of exercise and skin care, and having dinner is the only time of day she can see her husband. Feeling lonely and isolated, Joseph begins a relationship with actress Katarina Schlatter. When Sissi learns about it, instead of being jealous, she sets out to promote their relationship because she knows she cannot give the emperor's husband the comfort he deserves. and considerate. Joseph was a careful and conscientious man, and his long-term relationship with Schlatter may have been nothing more than a platonic love affair. After all, Austria is not France, and Vienna is not Paris.
When Sissi was fifty years old, their only son, Rudolph, committed suicide, and Joseph's formidable self-control nearly collapsed. Sissi invited Schlatter to the palace and said to her: "You must be with him." I can't do anything. Please help him. " Andrashi passed away a year later. Sad and autistic, Sissi Akane was assassinated in Geneva while walking alone across the European continent in black. Joseph, who knew the news, murmured, "No one knows how much I love her."No one, including himself?A few years later, the old Joseph wrote to Schlater: "I am now in loneliness, without any consolation, but with endless sadness."
The story of Sissi and Joseph begins with a fairy tale and ends with loneliness . If dance is used as a metaphor for this relationship, it is classical ballet before marriage, which is gorgeous and elegant; after marriage, it is modern dance, full of human strength and helplessness in life. More than a hundred years later, a similar story is played out in a more modern version. The original kind of lingering and warmth can only be recalled. Spiritual love is regarded as hypocritical and stifling of humanity. What everyone pursues is the liberation of individuality. Diana and Charles, who were once regarded as beautiful fairy tales, divorced, each looking for their own happiness. Dai and her new boyfriend died on the road. Camilla and Charles married, but couldn't get rid of Dai's shadow. From modern to post-modern, different forms of expression are equally helpless.
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