When watching "Fireworks in the Daytime", I will feel that Wu Zhizhen is too tolerant. Such a big thing, I put it in my heart, and such a big calculation is done by one person. If a woman can reach this point, no matter how big her heart is, nothing will fail. No matter how lucky you are, you can't just be a laundryman.
In the movie, it is very simple to judge such a bitter and hated woman, just to see if she has an expression. A woman with something in her heart does not change much in joy, anger and sorrow, and her inner ups and downs are also very small. Like Gui Lunmei from "Fireworks in the Daytime", on the surface, the clouds are light and the wind is light, but the bones must be overturned. The heroine of a literary film has three treasures, small breasts, few words, and bad expressions. Gui Lunmei's role in such a role is also quite harmonious. It seems that no one can replace this role better than her. In fact, actors with simple and elegant features may be the same, but Gui Lunmei still has something left after being crushed by the world. grace. Wu Zhizhen is a woman who needs to be very elegant. Zhang Zili needs to have a spring in her heart when she sees it. At the same time, she needs to be quiet. She needs to have a turbulent inner calm, and she wants Taishan to collapse in front of her and not fall.
Liao Fan's role as Zhang Zili is a bit interesting. Said to be a policeman, but later became a security guard, and his mind is full of ambitions that are not as high as Xiangyu's. A man who can press his ex-wife outside as soon as he comes up can do anything. He is the umbrella that opened up at that time. After all, he follows his lower body. The film introduction always said that Zhang Zili was attracted by Wu Zhizhen's mysterious temperament. The word attraction is too ambiguous to say, but it is actually "wanting to sleep".
Zhang Zili's whole person is fluid, and the feeling of watching the movie is obvious. As long as you hold a woman, the mouth will come together immediately. Even later, Wu Zhizhen decided to devote herself to keep the secret, her eyes were blurred and her expression was stiff, and their eyes didn't look at each other for a second. I really don't see the inner drama, it's all sexual impulses.
On the contrary, Wu Zhizhen's tragic "Fireworks in the Day" depicts a little less. She should be the invisible BOSS of the movie, but her presence is weak, and many of the decisions revealed at the end were forced to make. There should be at least two sacrifices of Wu Zhizhen in the movie. The first time was the boss who washed the leather clothes badly. Because she said, "one time is not enough", her nightmare could not be dissipated, so she could only choose to end it by herself. The second time was with police officer Zhang Zili. She thought that as long as she dedicated her body, she could always get a moment of peace, but she was betrayed quickly. At that time, Wu Zhizhen wore a rare bright red, and even wiped lipstick, the whole person became beautiful, but she fell into the police car, and there was no hope.
I once read an article about women in the workplace. The article says that the most powerful women don't wear trousers, but skirts. Because they do not shape the strength of men (pants), but accept the identity of women calmly. Such people are usually not vulnerable to bluffing, but they are more difficult to deal with than women in trousers.
Wu Zhizhen is also a bargaining chip to know her identity as a woman. Whether it is the owner of the leather jacket, her husband, the owner of the laundry or Zhang Zili, she probably knew what they wanted from the very beginning. She can only constantly deal with these people, hiding everything with her own forbearance. What chips does she have in her hand? It's nothing more than the other person's liking for yourself, most of which are driven by hormones. So she can only use this advantage to excuse herself, the owner of the leather coat goes home and dedicates herself to Zhang Zili.
She is the saddest among beauties—a woman in a small city, she is too beautiful and must succumb to fate, a fate dominated by men. The man played by Liao Fan was mean and rambunctious. In the end, he didn't give Wu Zhizhen a chance. He was still hiding behind the scenes, and he was unspeakable. Wu Zhizhen's devotion then turned into a daytime fireworks, a short-lived splendor, and endless smoke and dust. Disappearing behind those are hormones that a man can't say and can't tell.
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