Exciting 90 minutes, but it is not only 90 minutes that makes people reflect.
From the play, to the directing technique, reverse photography, and performance, almost everything is impeccable.
The dialectical thinking of truth and lies, and the exploration of the world of children and adults have all reached a certain height.
From a viewing point of view, Reed is also a first-class master at controlling the emotions of viewers.
The paper plane swayed down and flew down to the bottom of the detective's feet. This process was extremely worrying. It's nice, just let the tension slide along the trajectory of flight.
Reed has also repeatedly acted like Hitchcock (to let you see the bomb under the table), by letting the audience "know" and the people in the play (partly) "don't know", thereby increasing the sense of crisis.
We know that Mrs. is hiding at home to catch the rape, but the deacon doesn't know, she has been thinking about when to gang up.
In the last paragraph, there is a scene where the deacon sees the pistol, and then the scene is cut off. The viewer has been worried that the deacon will kill himself at the same time as the police detective discovers the truth.
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