True Detective S03E01: The Invisible Full Moon

After a lapse of 3 and a half years, the former crime drama "True Detective" has returned with great ambition in the third season. Two episodes have been shown, and the beginning is good (not Shang Jia). It is a suspense drama worth subscribing to in the near future. In the next three weeks, I will share with you this drama with rich details and excellent narrative, and I also look forward to the third season of this drama to win back the honor.

1. Several shots slowly move over the sky where the story is located at a high angle, and there is a sense of shroud. The watchtower in the park is a key location in the case. Background sound effects add to the desolate feel of the environment.

In the low-angle close-up shot, a student with a schoolbag drove by on a bicycle, and the key information "child" and "bicycle" in the case of the play appeared.

The camera cuts to the room, an old white-haired man is getting dressed, and the sound of the chain flying on the bicycle wheel is always on the side of the ear, reflecting the man's psychology of being hooked by the past. Because this case was handled by him, for more than 30 years, it was hanging in his mind and could not fall to the ground.

2. The old man looked away from the screen, and the timeline was switched to May 12, 1990, which is ten years after the incident, when the actor Wayne was under investigation by the FBI. He's an Arkansas police officer, racially black.

One of the two white detectives had an arrogant attitude and the other pretended to be close.

The initial dialogue on both sides was about "memory". Wayne was full of confidence in his memory, but the other party said a tongue twister "If you forget, then you won't know that you forgot", questioning Wayne's memory ability.

Wayne knew that they wanted to overturn the verdict of the case, and he also knew that the other party was hiding Jiujiu in his heart. He showed obvious dissatisfaction, but the other party refused to state the reason for reopening the investigation.

The other party suddenly said, "You don't have a good memory."

Three possibilities:

(1) The other party wants to use this as an excuse to overturn Wayne's previous investigation conclusions;

(2) Wayne has a real problem with memory;

(3) A combination of the above two reasons.

If Wayne's memory is really bad, at a young age, why? Combined with the following clues, he served as a soldier in Vietnam for two years, so it may be caused by war trauma.

3. The timeline goes back to old age, on May 20, 2015. Wayne was holding a recording device, and another voice of his own came from it, reminding him of the to-do list for today. It can be seen that his memory is already very poor, and he has to remind himself through the recording.

From the recording and the markings on the calendar on the wall, Wayne is now very amnesiac, and the voice in the recording reminds him that he will be interviewed on TV today. The reason he was interviewed was because they wanted to test the TV station for clues about the case, and it seems that after his retirement, he no longer has any useful information about the case. It can also be seen that this case has tormented him for half his life, and he still did not give up pursuing the truth in his twilight years.

4. The time line is cut back to 90 years. During the forensic dialogue, Wayne sarcastically said that the other party was dereliction of duty, said that his wife was writing a book related to the case, and then reluctantly accepted the cross-examination.

He began to recall the origins of the case ten years ago.

5. It was Friday, November 7, 1980, and Wayne remembers it well because it was the day Steve McQueen died. McQueen was a hard-core American star in the 1960s and 1970s, playing the role of a lone hero and a sturdy policeman. Wayne should have admired this actor so much that he would use his passing as a clue. The screenwriter also deliberately used this tough guy at the time to set off Wayne's police detective status and stubbornness.

6. The picture was handed over to the victim's family on the day of the crime for direct narration.

The Purcell children, William and Julie, take a leave of absence from their father, Tom, to meet friends at the playground. My sister asked, when will my mother come back? ——Judging from this question, they should not be looking for their mother.

Tom took a sip of beer and looked back at the road where the siblings were cycling away. This is a subjective shot, the picture is empty and real, the street is empty, suggesting that the father "has" lost two children.

The low-angle close-up shot shows the older brother riding a bike, with black shoes, white socks, blue jeans, and a red schoolbag, wearing exactly the same clothes as the kid riding the bike at the beginning of the play, and the street background is the same, the same kid William. It can be seen that the scene at the beginning is a flashback.

Judging from the expressions and movements of the two children, the younger sister is innocent and lively, while the older brother is gloomy and indifferent, as if he has something on his mind.

The first witness I met on the road was a yellow-haired boy next door, who was also their classmate.

7. The time line is cut to 90 years. Wayne explained that the time when the brothers and sisters left home was 4 o'clock in the afternoon. There are many witnesses to prove it.

8. The timeline cuts back to 80 years, and a set of side-by-side shots explains what Wayne said about the eyewitnesses.

A group of teenage Fei driving around in purple beetles is going somewhere to do something.

The second witness the siblings met was a chubby woman, neighbor Margaret.

Slow motion, the wind blows, and there is an ominous omen hidden in the roaring restlessness.

The key coordinates in the park-beside the watchtower, several teenagers are setting off firecrackers.

At the same time, Woodard, a recycling Indian, passed by the country road, and he was the third witness.

The three Ah Fei in the car stopped by the roadside, like eagles watching foxes and rabbits, staring at the passing brothers and sisters. They were the fourth group of witnesses. The same slow-motion and dangerous sound effects sounded again.

The sound of the wind is faint, and it never ceases.

9. The time line is cut to 90 years, and two detectives question Wayne's behavior on the night of the crime. 10. Going back to the night of the crime in 1980, Wayne and his white partner Roland police shot the rat, alcohol pierced his stomach, and stayed up the night shift bored. It looked like it was another night of confusion and recklessness.

Roland suddenly turned around and said, "Steve Quinn died today." Wayne was stunned for a while. This one responds to Wayne's 90 Years of Forensics Q&A. Quinn's death was like a needle on the body. Although there was no major stimulation, it still made Wayne, who had done nothing, have a flash of "what should I do".

Wayne is probably an underappreciated, wasted talent.

A little fox rushed under the muzzle, tilted his head and stared blankly at the muzzle, at a loss, with pitiful eyes. With his life on the line, Wayne lived it.

At least at this moment, he has "did something".

What he didn't expect was that soon he would really "do something", and this "something" would spread to the rest of his life.

11. Father Tom was busy working on the car until the street lights dimmed, and realized that it was long past the time he agreed to go home with his two children. I called the children's classmates' home, only to find out that they did not go to the classmates' home to play. William lied.

Tom had no choice but to search the streets in his squeaky wreck. The streets were dark and no living creature moved. Tom's subjective gaze from the car found nothing, and his inner anxiety was reflected in the action of lifting the hat.

12. In contrast to the gloomy and depressing street scene, the watchtower in the park at this time is a happy place for teenagers to release their remaining hormones, with smoke and flames, music, and men and women noisy.

As the camera pans across the gloomy foreground, two bicycles are quietly parked here. They are small in style and divided into men and women. They are the bicycles of brothers and sisters.

An Alfred Freddy fiddled with William's bike and threw it aside. These Ah Fei were the three who drove out during the day.

13. The scene returns to Tom, who is searching on the street. There is an emphasis sound effect. In the fog, Woodard, an Indian who collects waste, passes by on the other side of the road.

14. Two state trooper partners are wandering on the road, and the content of the chat is intended to shape the character of the show's protagonist, Wayne. He does not kill foxes, but only hunts wild boars. His reason is that "the wild boars can be eaten". Using a bullet to deal with a wild boar is to exaggerate his tough-guy personality, as he said, "I like fair play", "do not hunt stationary, and do not use bait".

The allusion of "deer hunting" comes from the great anti-war film "The Deer Hunter". The film takes Vietnam War as the background, and the two deer hunting incidents are echoed from beginning to end. The film reflects the double destruction of body and soul by war. Wayne in the play is also a Vietnam War veteran.

After receiving the alarm, the idle mood in the boring time was broken. Although the interest was not high, the two still rushed to the scene with professional instinct.

The words of the female reporter seemed to startle Wayne, who walked to the reporting site thirty-five years ago. He suddenly turned his head to look at the audience outside the screen. 's memories. just memories.

15. The time line goes back to 2015, thirty-five years after the crime, when Wayne, a retired police officer, was being interviewed by a TV reporter. Before the filming started, "The Third Season of "True Murder" was written on the board, which seemed to echo the inside and outside of the play.

From a narrative point of view, the 80-year scenes shown before are all recalled by Wayne in the 90s. At this time, Wayne in 2015 officially began to recall.

In order to facilitate the description below, we will refer to Wayne in the 1980s as young Wayne, in the 1990s as middle-aged Wayne, and in 15 years or so as old Wayne. is for marking.

The old Wayne's eyes wandered, as if to imply the uncertainty of his memory. The first sentence he opened the memory was "it was a full moon that night". After that sentence, he kept pausing at "And", "And" before saying "Steve McQueen died that day". It can be seen that the old Wayne's memory is very problematic.

16. According to the "full moon" mentioned by the elderly Wayne, the camera is cut back to the night in 1980, and the first shot is a big full moon in the sky.

But there is doubt here.

(1) November 7, 1980 is the 30th day of the ninth month in the lunar calendar, and the next day is the new sun. The moon is between the sun and the earth. The moon is almost invisible. How can there be a full moon?

(2) In the memory picture of middle-aged Wayne, when he and his partner Roland were fighting mice in the garbage dump, the night was shrouded, and it didn't look like there was a moon. And when Tom, the father of the two children, was searching on the street, the street was also dark, and it did not show the lighting effect that the moon should have.

(3) Even according to the old Wayne's recollection, although the moon hung high in the sky that night, there was no feeling of being illuminated by the moon in the exterior scene. The moon, as if not shining.

If it weren't for the inaccurate clues like the date of the crime to go wrong, then we can be sure that Wayne's memory is in serious trouble.

17. Switching to the timeline of the 1990s again, the middle-aged Wayne was questioned by the detective again when he recalled the time point of the crime.

Wayne turned off the recording device impatiently and asked the agent "Do you know what I don't know?" The agent replied "We don't know what you know, so we can't answer that question."

It's very sloppy, like a math problem. Translated into adult language, the agent means that only by figuring out what you know, we will know what you don't know.

However, it has been ten years since the case, and Wayne has also submitted a transcript. It stands to reason that it is impossible for the detectives to not know what Wayne knows, but they still frequently question and question him, which shows that they should be suspicious of Wayne's transcript and Memories are problematic.

18. Elder Wayne's recollections explain why there was a forensic recording of the '90s. Because the Purcells wanted to overturn the case at the time, Wayne, who was involved in the case, was called in to testify. And since then, he has re-involved in the trial of the case.

Elder Wayne also mentioned that his wife's book was written in the 1990s when the investigation was restarted.

The elderly Wayne said "if only you could interview her", indicating that his wife may have died. During the interview, there was a photo on the table on Wayne's left. Although it was intentionally blurred, it should be the photo of his wife.

Elder Wayne mentions his method of calculating physical time. In the past, his standard of judgment was before and after the "Vietnam War", but later his standard of judgment became before and after the "Purcell case". It can be seen that this case has shaped his life.

During the interview, the elderly Wayne revealed to the audience more information about his wife, who is a writer, a teacher, and an investigator. The last identity shows that his wife participated in the investigation of the case.

When recalling the wife, the tense is the past tense, indicating that the wife has indeed died.

The elderly Wayne said, "A few years ago, we made a plan, after I retire..." It was during these years that his wife died.

19. I have to admire this script. When the three timelines are switched back and forth, the elements in the dialogue can also be used as introductions and narrative clues for camera switching. For example, this time, after the old Wayne talked about his wife, the time line naturally cuts back to the night of the crime in 1980. The young Wayne asked Tom, "Where's your wife? Will she come back tonight?"

Tom gave a brief introduction to his wife Lucy. A waiter, leaving early and returning late, or even not returning, the husband and wife are not in harmony. He said with certainty that the child would not be with his wife, and the side message was that the wife did not care about the child.

Wayne made some adjustments, and simply dispatched all the police under his command.

He looked down at his watch, it was 9:50 pm.

Tom was emotionally unstable, and Wayne calmed Tom down with a firm and powerful tone and words. See hardcore style in behavior.

Tom took Wayne and Roland into the room to find clues.

For indoor shooting, all the light sources in the environment, such as table lamps and chandeliers, are used. The height is not high and the brightness is not strong, creating a faint visual effect, so that the picture style is still unified in the overall suspenseful style.

A large number of slow-moving subjective lenses are used to represent the line of sight and vision of the characters in the play. The sound effects that brew the suspenseful atmosphere are simple in melody, slowly progressing without any setbacks.

After entering the house, there was a mess around the sofa, with quilts and clothes.

Tom introduced his son William and daughter Julie's room, but not his wife's room. Roland pointed to a room and asked, "Is this your wife's room?" Tom asked, "My wife?" Again, showing the alienation of the relationship between the two.

Wayne and Roland enter Julie's room first. There are cute dolls piled up all over the room, there is a girl doll in a white one-piece dress on the desk, and pictures drawn on homework paper are posted on the wall. Wayne picked up a picture on the easel. It was a family of four under a flower stand, surrounded by green grass.

Both of them were thinking at this time that Tom's wife Lucy had taken the child.

20. Lucy's sudden return two minutes later shattered the guesswork. The two get into an argument, with Tom vulgarly accusing Lucy of out looking for dick. Lucy stressed twice that she has the right to live her own life (be entitled to a life)

Wayne used a calm and calm voice to stop the quarrel between the two, and methodically asked Lucy for clues.

Then, in a montage technique, Wayne and Roland are shown performing their respective duties, both inside and outside.

Wayne walked into the little boy William's room and, like a familiar hand, took out "Playboy" from under the mattress.

A group of police began to search, and the night fog shrouded in the panoramic shot, making people feel that the town where the crime occurred was a closed and mysterious space surrounded by them.

Wayne saw two books on William's desk, the Official Boy Scout Survival Manual and the Cold Woods I was thinking of translating.

The so-called "Scout Manual" is not a combat manual for training child soldiers. The Boy Scouts of America, also known as the Boy Scouts of America, is a non-governmental organization that aims to help teenagers get fit, teach them survival skills in the wild, keep them safe from danger, and become men and good citizens.

Throughout the history of the Republic of China, there have been Boy Scout organizations, which are part of the international Boy Scout movement. The Chinese Boy Scouts once left a strong figure in the War of Resistance Against Japanese Aggression.

The International Boy Scout Movement can be traced back to 1908 when Professor Robert Baden-Powell of Oxford University published a manual called "The Young Police Detective", which was the guiding ideology and the first Boy Scouts were established. Baden-Powell's starting point is to worry about the moral degeneration and physical weakness of the British youth, which will make Britain repeat the same mistakes as the fall of the Roman Empire. Since then, the Boy Scouts organization has followed suit all over the world, and there are currently about 250 million Boy Scouts in the world.

Pull away, take it back. The wilderness survival manual on William's desk, along with another book on forests, may well be a suggestive clue. Maybe William has a plan to venture out into the forest, and it just so happens that there is a lot of forest around the town.

Opening the closet, Wayne found the plaster in the ground, and then the small hole in the wall.

Tom denies that the magazines belong to him, saying that these are old magazines. Wayne didn't tell Tom about the unusual hole in the wall.

After Wayne transferred Tom away, he let Roland look at the hole in the wall, and through the hole, he looked at Julie's room and saw the beautiful doll on the table.

After that, Wayne and Rogan began to ask the neighbors nearby, and the information was as follows:

(1) The direction William and Julie are riding to is Devil's Den Park (the real name of Arkansas);

(2) A Fei driving a purple Beetle passed by, and the owner of the car was one of them, Freddie Burns;

(3) Teenagers often gather around the watchtower in Devil's Den Park to play;

(4) Woodard, an Indian scavenger, used to be nearby.

The neighbors disliked Woodard, looked down on him, and couldn't even remember his name.

So far, only two people of color have emerged, Woodard, an Indian, and Wayne, a black, and the rest are white.

The couple provided some information. The two have slept in different beds for half a year, and Tom slept on the sofa, which was consistent with the furnishings on the sofa in the living room.

Another, more useful piece of information is that Lucy's cousin Dan stayed here half a year ago, in William's room. Naturally, one suspects that Dan drilled a hole in the wall to peep at Julie.

While the young Wayne was out searching all night, the old Wayne's voice-over sounded.

Suddenly I cut a close-up of the full moon, but when I cut back to the panorama, I still couldn't feel any moonlight.

Wayne looked down and found a pair of small footprints by the puddle.

The half moon shadow reflected in the puddle made him frown, and the moon shadow suddenly began to flicker, and with a "click", it went out. It was a street light. This suggests that at least the old Wayne's recollection may be problematic.

Wayne looked out of the mirror and said, "I should pause." Although the words came from the mouth of the young Wayne, the hint should be the psychology of the old Wayne.

21. So cut to the 15-year timeline. Elder Wayne asked if a timeout was needed. The reporter next to the reporter turned on the illuminated headlights with a click.

Inference: The previous "click" was because of a problem with the headlights, which went out, and the consciousness of the elderly Wayne was affected, so in the memory, there was a scene where the streetlights were extinguished in the puddles. And the shape and luster of the headlights are very similar to the full moon in the memory. It is probably for this reason that the old Wayne mentioned the full moon at the beginning of the interview, and confused the moonlight with the street lights. On the night of the crime in 1980, there was probably no moon. The elderly Wayne's memory was apparently severely impaired.

22. The time line is cut back to 80 years. The day after the incident, the police searched outside, and the couple watched news reports at home. In addition, the fat neighbor Margaret accompanies Lucy.

Wayne and Roland arrive at the school the missing sister attended. The female teacher, Emilia, is reading a poem to the students in a lazy and sexy voice. The second paragraph is quoted in the play to echo the philosophical theme of the play. The entire poem is listed below.

Tell me a story ( Robert Penn Warren) A long time ago in Kentucky , a boy stood on the side of a muddy road and in the twilight heard a huge wild goose chirping north. Can't see them, no moon planetesimals are rare. just hear them. I don't know what's going on in my mind. It must be heading north in the season before elderberries bloom . The sound was going north. Tell me a story Tell me a story in this crazy century and time . Just tell a splendid story. The name of the story is "Time," but you don't have to name it. Tell me a story full of joy.

The author of this poem, Warren, is a great American poet of the last century, and has won the Pulitzer Prize for Poetry or Fiction three times.

Warren's poetry was influenced by the ancient Roman thinker Augustine's view of time.

Augustine believed that all time is now. There are three types of time: past present; present present; future present.

Augustine's view of time is of revolutionary significance, from the outside to the inside, from matter to consciousness.

You can try to combine the analysis of the play, Wayne's memory is "the past and the present". In other words, the facts of the past do not actually exist, everything is determined by the thoughts of the present.

When the camera was taken back from Emilia, we found that it was actually a subjective shot. Wayne had been staring at the female teacher and listening to her reading, which was very emotional. Is he just mesmerized by beauty? When the two met again, Wayne specifically mentioned the poem to Emilia. It is estimated that in subsequent episodes, the screenwriter will further use this poem to break the topic.

Wayne and Roland call out Beetle owner Freddy for a verbal forensics. Freddy admitted that they met the missing siblings on their way to the park watchtower to play. He also said they only met them once that day, and he said the siblings didn't go to the park.

But what about the hunting gaze they gave the siblings, and the siblings' bicycles that appeared by the tower? Freddy also rode William's little bike in the park.

Afterwards, they took evidence of another flat-headed teen who was traveling with Freddy.

Roland suddenly pointed to the devil pattern on the flat head boy's T-shirt and said, "What is this?"

The teenager told him it was a band called Black Sabbath. This was a well-known band in the 1970s, with a dark music style and Satan worship in the lyrics. But in the final analysis, it is actually a commercial means, a kind of cultural consumption to deceive young people.

Roland's expression indicated that he obviously hadn't heard the band's name, and Wayne told him with a serious face that Black Sabbath was a black mass. He explained it from a linguistic point of view.

The introduction of such elements as evil religious rituals, whether it is a screenwriter's trick or not, is a clue that cannot be ignored.

Wayne got a different account than Freddy from the flat-headed boy, saying that the missing siblings played in the park, but he denied that the brothers and sisters played by the tower—that is, next to them.

It appears that the siblings played in the park, and most likely by the tower. But Freddy and the pacifist boy should have done something he didn't dare to tell them, so he chose to hide some of the facts. Their expressions were all tense.

The awareness expressed by their testimony is that they do not want to lie so as not to lead to suspicion that they should not have, and at the same time they want to try to hide something in order to clear their relationship with the case. However, the two apparently did not have a good script in advance, resulting in different rhetoric.

The third question was a bit different. Roland didn't participate. Wayne had a one-on-one conversation with Emilia, the female teacher. It was estimated that Roland deliberately gave his partner a chance to "seek girls". The magnetic field between the two was very strong and they became friends.

Wayne and Emilia are both people of color and black, so Wayne implicitly asks a question about the local racial atmosphere. The estrangement and separation between races can be seen from Emilia's answer, and she is clearly uncomfortable.

The town is clearly a white community, and people of color are on an island here. The Indian scavengers have lived here for so long, and the neighbors can't even tell his name, and after the incident, the parents subconsciously pointed the finger at him.

(In the forensic scenes of the flat-headed boy and the female teacher, clocks appear. The clocks give the impression that they are not moving, and there may be no second hand on both clocks. I don’t know if it is a clue, but this is the right place.)

23. After collecting evidence on the teenager and the teacher, it is time to collect evidence on Woodard, the scavenger who also passed by on the day of the incident.

On the way there, I cut into the memoir narration of the elderly Wayne, there is such a sentence "In short, you know what happened to him." This shows that Woodard's life may have been changed by this incident. Maybe he was the culprit behind the case. The reopening of cases in the 1990s may have something to do with this.

Woodard's yard is littered with recycled waste, and the home is equally shabby and messy. Wayne saw two pictures.

One is a family photo of a woman with her two children in her arms.

Another photo is of the troops, with Woodard in a military uniform. Like Wayne, he is a Vietnam War veteran.

After seeing the latter photo, Roland made a speech. His remarks summed up like this: Most people who have fought in wars have mental problems, unable to take care of themselves, unable to adapt to the society, and the result is crime and murder. Then he said arbitrarily, "This kid is wanted all over the world".

Wayne's expression was distressed, and looking at Woodard's military uniform, he seemed to have developed a kind of empathy with it.

He felt pain and resentment at Roland's words, and said to us off-camera: "I'm leaving, I don't want to stay here."

Like the issue of race, the play also incorporates the issue of veterans bit by bit.

24. The time line went back to 15 years. The old Wayne, who recalled this point, was also emotional and behaved erratically. He interrupted the interview. The writers cleverly left the suspense of "what happened to Woodard" behind.

The old Wayne locked himself in the room. He lifted the cover to reveal a black object (doesn't know what it was), with a warm smile on the corner of his mouth, indicating that this object evoked his fond memories.

But when he looked at the book written by his wife on the shelf, he suddenly became sad. The background sound actually sounded thunder.

25. The time line is cut back to 80 years. The police and volunteers are searching all over the Devil's Cave Park, but Wayne adheres to the style of the lone ranger, loners, and has his own set of search methods. Roland pointed out that Wayne's army during the Vietnam War was a "long-range scout", which had strong survival and search capabilities.

Sure enough, Wayne spotted the bike rut, followed it, and was ushered to the side of the tower. When we climbed the tower, the top of the tower was full of wine bottles and cigarette butts.

He followed a clear path in the grass and found a destroyed bicycle.

Wayne's breathing became heavy and his mind reacted.

Then the grass doll next to the stump appeared.

Then the grass doll at the entrance of the cave appeared.

These dolls are all white, holding white flowers, and have no facial features.

Wayne's breathing was getting faster and faster.

He found the corpse of the little boy William lying peacefully in the cave, with his hands on his chest and his fingers crossed, as if praying.

Wayne in the cave panicked, lost his usual steadiness, and almost climbed out.

At this time in the classroom, Emilia was reading Warren's poem again, and only one sentence was mentioned in the play:

"What is love? One of its names is knowledge."

The same is the implantation of philosophical values.

26. Switch from Warren Poems in Emilia's hands to books in Elder Wayne's hands. The author, Emilia Hayes, shares the same surname as Wayne, indicating that Emilia is the author and is already Wayne's wife at the time of writing the book. The title of the book is "Life·Death·Full Moon" and the subtitle is "A Murder, a Child Abduction, and the Destruction of a Community".

(This translation is my own translation considering the plot and text, which is also my habit of writing film and television articles.)

27. The timeline cuts back to the scene of the murder in 1980. Wayne appeared nervous and anxious as he sat smoking while Roland and other officers inspected the scene and collected evidence.

Added new information to Wayne and Roland's dialogue. At the end of the rails, another doll was found, and these dolls were like road signs, deliberately attracting people; the corpse had wounds on the head.

Wayne suddenly said "'dig'" for a while and the passageway you know? Almost can't get in. "

I put the word "dig" in quotation marks because Wayne is figuratively speaking, and he means something. During the Vietnam War, in order to avoid the bombing of the US military, the Vietnamese army learned the tactics of the Chinese army and hid in the tunnels. The US military suffered a lot in the tunnel warfare.

Wayne, who seems to be over 190 cm tall, is obviously a soldier who has experienced tunnel warfare. The cave will make him have a terrible war experience, which should be the reason for his panic in the cave.

28. The timeline cuts to 90 years. From the mouth of the detectives, they arrested the wrong person ten years ago. Wayne takes an uncooperative attitude and finally gets a little bit of information from the other side, and they find out that Julie is not dead. Two months ago, her full fingerprints showed up at the scene of a burglary in Oklahoma.

This stroke is like a fairy in the sky, which is unknown, but amazing.

29. The time line was cut back to 80 years. Wayne threw the cigarette butt viciously, said "we must find her", and got into the dark night alone, which made people respect the police detective.

Just Dropped In - Mickey Newbury

Predictably, the biggest or final theme of the play is the process of a person reconciling with his first half of his life in the second half of his life.

Finally, it is a private thought about watching dramas. Don't just try to find the killer when watching the show, it's clearly a play that goes beyond detective suspense. Good works are beyond the genre, and the genre is just the shell of a good work, as long as it is easy to use. Now that you have entered the building, let's appreciate its texture and blood.

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