Like Foss, I gave everything to her. In the end, after she put me to sleep, she still sent me a good person card. Foss does not understand rejection, is kind to others, and bears everything alone. I have a deep understanding. In reality, there is no camera to express it. I like this honest and kind protagonist. The contrast in life attitudes between Fox and the heroine actually represents our two attitudes towards life. We choose to complain and complain, or to suffer silently. The director's greatness lies in not having The outbreak and venting of Romance Fox, this is handled very well. Life is like this. When we grow up, we will not be hurt by reality, rolling on the ground and splashing everywhere. There is no intention to highlight the protagonist's sad cry, in which the sentence: (depression is just a product of self-pity and laziness wrapped in fashion) It's too good to say, none of us have the right to cry, to live means to be strong, the whole film does not There is no great sadness either, it is just a record of life. Fox's final departure does not mean a new beginning, it just continues to move forward.
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