This is what Bazin calls the Western-style Western. Zach Snyder, ah Snyder, don't do this diamond work, let's see what is the essence of the real classicism, Jin Weiduo tells you, this superb light and shadow. In fact, this is not just a western romance drama, but just borrowing the veil of Douglas Shark. Behind the story of Qiong Yao is still the contradiction of the westward movement and the railway crisis. The West is like a woman, and the railroad company is a man. Jones and Pike in this film, I don't like you...you're rude and horny...but you're tall and strong...I like your brother Cotton. That's it, westerners love the railroad (Cotton's character in this film) it's not a substitute for a semi-nomadic lifestyle but it can be more efficient, they don't like the crowd that accompanies the railroad (Pike's character in this film) because they step through The established rules and the ready-made order of the west...this is obviously the culmination of the dos aesthetic, the epic still flourishes without the use of the wide screen...in the middle Jones slams the blueberry pie into Parker's face, hhh this is not The enemy of the nation is doing the opposite.
This is a foreshadowing film before The Searcher, a Pro-Searcher. A biracial Indian woman (indoctrinated by her white father into the mind-set of a white southern woman) enters the white community, where Ford is a white woman whose white man goes behind enemy lines in search of Indian assimilation. A counter-community, a build-community. On the ethnic symbol of white people, perhaps dos is the real white man who is more stubborn and conservative than Ford.
In 1946, the sun bathed the lawyer and drove away the lawyer. In 1962, the two tigers slaughtered the dragon and then the lawyer returned to tell the western mythology. The prom schedule in the middle of the film, the godfather, the deer hunter, Malcolm x... these are nothing compared to it. Excellent color, comparable to Pengmen Hongling
A duel between Pike and Cotton, with Cotton ultimately reluctant to take up the Western Law-gun to fight back. The final mountain duel actually happened between Jones and Pike. It is a pity that Jones is the West, but in the end he killed the Westerners himself. Pity the hardest American directors, the manly and manly Jin Weiduo, who really can't bear to part with the West and Buddy, and can only let them die together. The victory is still Cotton, still a story of Yat and Cain.
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