I'm still watching, entirely because of Kim Go Eun. In this episode, Kim Go-yin's control and understanding of the characters are actually quite right. The heroine is a woman who always wants to create her own hard-core image. Compared with beauty, she wants to be cool and calm. In the sixth episode, too, Zheng Taiyi stepped into a parallel world, soberly aware of the gap between the two, lonely but calm, and decided to abandon his heart, so he kept his face cold and pretended to be indifferent. The heroine really does not have facial paralysis, and even many times her performances are made of loose expressions - pretending to be calm - shifting eyes. This method reflects Zheng Taiyi's shaking in his heart. Although the micro-expression and eyes are not 9 god-level, they are also 7 points. The above qualified treatment, at least know that the heroine is struggling, nervous and tempted. There are a lot of Ma Lisu's lines in episode 6, because the male protagonist is panicking, he can see the sobriety of the female protagonist, and is afraid of the female protagonist running away, and he is comforting the female protagonist. He didn't want to let go, so he frantically used his love words skills to add buffs. However, Lee Min Ho didn't handle it very well. All love words were handled exactly the same as where he said he didn't want her to go. In fact, his expressions were the same in so many episodes... ...I think Lee Min Ho's inner belief in wanting to play a mature and calm 33-year-old king is very strong, so that the feeling of kingship surpasses all emotional expressions. In the end, the male protagonist has a love affair with the female protagonist, and has a relationship with the male second. Cursing and coquettish behavior by the monk Gong Niang are all the same kind of determined smile. The most terrible thing is that the sense of kingship brought about by this stereotyped smile and the restrained corners of the mouth is too pale, so that the moment when happiness should be conveyed makes people feel no happiness at all, just feel that he is in business. I think Li Gong's imperial burden is heavier than the Queen of England. Of course, the biggest problem is with Writer Kim... Kim Eun Sook has actually made a very typical mistake in this drama. The reason why ghosts and Mr. Sunshine are outstanding is that there is a thicker cultural support behind the subject matter, which is easy to resonate. Therefore, even if the settings of the first three episodes are dazzling, the audience will not be dizzy, and can effectively interpret them through their own common sense. The stalks of the parallel world of this play are all compiled by Kim Eun-sook alone. Although he has a big brain, he fundamentally denies the audience's current common sense of life. It can only cause exclamations, and it is difficult to resonate. Compared with ghosts, the difficulty factor is more difficult. Go up a step. How to let the audience easily know what happened is the biggest difficulty in this grand narrative. But goose, Kim Eun-sook made a mistake with JK Rowling, who wrote Fantastic Beasts, in this drama, relying on details and throwing stalks to fill in, and even promote the main plot. Even, the screenwriter of this play requires the viewers watching TV at home to deal with the amount of information in both worlds at the same time, and to pay attention to the details, pay attention to who has changed and who has not changed. audience It's simply impossible. At the same time, Kim Eun-sook's drama is new, people are new, Rowling still has fans and the world in the novels, fans will read and analyze in groups when they are confused, and once Kim Eun-sook makes the audience confused, The audience is about to change.
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