I've only watched four episodes when I write my review now, so I'm only rating the first four. (Maybe I will read it from time to time later)
Hilda is the best in my mind when it comes to "cute animation". I just watched an episode of "The Dragon Maid of the Xiaolin Family" before watching Hilda, and I instantly felt that Hilda's warm and unpretentious style of painting was the real cuteness in my heart.
It's not that I don't like the style of the Kobayashi family's painting, but when I was intoxicated with the cuteness of the dragon maid, I felt faintly that the creator (original painting, Jing Ani) was deliberately using the image of the dragon maid to sell cute. I think it is different from describing a person as "beautiful" and asking the other person to be closer to perfection than the average person, "cute" is a very close word - no matter what appearance, body, dress, you can have a cute face. But in most of the manga I've watched, the cute characters are not very real/simple, they are decorated/beautified in terms of appearance, body and dress. Because Hilda's painting style is simple, the characters' appearance and dress are very simple, and they are basically warm and comfortable colors, which are more "soft", "fresh" and "natural" than bright and eye-catching color matching.
When I watched the first two episodes, I was surprised by the various small animals on the mountain. I admired the original author's imagination and the long-term perfection after the initial idea. My favorite is the flying spherical animal~
The reason for only watching four episodes is that the story is still too simple (the animation marked "for children" is not without reason hahaha). If you watched this when you were a child, you should have liked it to the point of dreaming of adventures with Hilda~
Gossip about "the entire type of animation is not only suitable for children, it should be judged from the content":
In this way, the European and American animations I watched as a child that have been particularly impressive until now: The Morning, the Powerpuff Girls, the Little Witch Mona and other animations that are "exclusive to children", rather than looking back, it is more suitable to be in the brain I remember some fragments. (I think so does The Adventures of Tintin)
But like Japan's Cherry Maruko, Doraemon and European and American cats and teachers are also very interesting to watch now, because although the audience is mostly children, in terms of content, children and adults can resonate.
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