The decline of Japanese comics or the rise of national comics

Nestor 2022-07-20 15:50:57

Obviously, this movie, including the comic itself, does not feel like the creation of one person, but is like a dinosaur with mixed genes in Jurassic Park. It has all the elements of an excellent so-called "hot-blooded comic", but there is no hot-blooded in it. Including One Punch Man is actually a kind of work. I don't know if it is specially designed to cater to the Chinese market, but the reality is that the overall innovation ability of Japanese comics has declined. But the comparative rise brought about by this decline is not something that Guoman should feel proud of.

I remember that my first manga was a fragment, Saint Seiya Fuuma Kojiro. At that time, I didn’t know how to use a computer or even had access to the Internet. The manga at that time was close to a stream of consciousness. One person killed another person in seconds. It may be just an onomatopoeia. When I gradually started to come into contact with Riman, the first anime was Inuyasha. Even if the fighting scenes of Inuyasha are relatively monotonous, it is still a good work, because in addition to the "subduing monsters and catching monsters" "In the routine of "Learning from the West", this teacher Takahashi will still focus on depicting the relationship between characters and the turning point of the plot. There are crises, turning points, wind and sunshine, and mountains and rains. At this point, or this generation of cartoonists is actually still doing cartoons, trying to improve the connotation and depth of cartoons. Later, I came into contact with Naruto. At that time, I was still a middle schooler and was keen to collect all kinds of Naruto peripherals, even if I didn’t have much money on hand. Because for me, it has a directional effect. At least until the college entrance examination, I relied on "Never give up is my forbearance" until the college entrance examination. I would like to say that the previous Hokage is an example of a hot-blooded comic. There is a complete world, the world of the protagonist is constantly changing in the progress of the plot, and the characters are constantly growing. Of course, this is not the focus of Mr. Kishimoto, Mr. Kishimoto may It is also the directional coordinate of many comics styles now - the focus is on the growth and ability of the characters, plus the levels where the hero saves people from misery - in other words, the flow of visual emotions. It's not how the characters are in the world, but the characters are still characters no matter what the world is. Of course, as a spiritual apprentice of Mr. Toriyama Akira, he will definitely retain this style. After all, from the perspective of best-selling, this "burning the entire screen" comics are more popular with modern people. But as people grow older, you will find that this kind of blind "hot blood" is "false" in reality. In reality, no parent has experimented on his son in order to develop a vaccine. If he does , he is not a hero, he is a criminal. The huge crisis in reality is slowly eroding your life in a very subtle way, you don't even feel that you are being destroyed, boiling frogs in warm water is the state of most people, and even frogs in warm water will still be in your mind. To pick up the pot, spit in your face. The comics are quite fast-forward to reality. It seems to strengthen people's "immunity", but rather numb your nerves. You are just "habitually moved". In fact, it is very like an erection. Quick, after reading it, it is actually empty. Men reading hot-blooded comics is actually the same as women reading romance novels, not out of rationality, but more emotional, or traced back

Later, I came into contact with One Piece by chance, and I still feel that, of course, from my personal point of view, One Piece is the top of the hot-blooded comics, because at least this is the real "hero" in the comics I read, not to mention how many lines Mr. Oda buried in the early stage, As far as the world view of the characters is concerned, at least I think this is the "hero" that can be mapped to reality. My rating for hot-blooded comics, three, the lowest level is just to vent hatred, the middle level is like Naruto, moving forward with great goals, and anti-heroes that extend from this, such as One Punch Man, put the The ability of the character is set to be greater than the great goal, saving the world has become commonplace, creating a character whose only difference from God is that he can be seen, very interesting, but the wit is greater than the substance, a bit out of the main line, from the creator's point of view, It feels a bit cornered; the highest level is One Piece. If Sun Wukong's "save the universe" is someone looking for him or himself, Luffy's rescue is more "earth", there is no great goal, the goal is only Young and frivolous and ignorant and fearless, but when someone broke an arm for him, he really made "One Piece" his goal, because One Piece's fame and wealth are not important, he wants to be the one who can break his arm for his companions. people! ! ! On the way to become the person he yearns for, he grows stronger and keeps making friends with like-minded people. For the sake of his companions, he can even give up "One Piece", because without his companions, there is no "One Piece" he wants!!! A good one A work of art can reflect reality, and a great work can guide reality. One Piece's "civilian heroism" is the idea that needs to be admired in this era of personality liberation. He chose to be the first sacrificer at the moment of sacrifice for the suffering of others. This kind of hero can be achieved, and it is also the most difficult goal for human beings to achieve! ! ! A person who never cares about others and only cares about his own interests and reputation is not a hero. A hero does not seek trouble by himself, but will never compromise when trouble comes! ! In fact, One Punch Man from another point of view, whether it is because of the author's own thinking or not, it does satirize most of the metaphysical "heroism" in the era of hot-blooded comics. Most of these so-called professional heroes are just ordinary people who follow the trend. speculators. The goal finds itself wanting to be a hero before the action, not after the action. It fits the market very well, but it lacks the original intention of the author. Especially Hero Academia, this kind of grand action effect that combines various elements of Japanese comics with Hollywood, after the blood boils, I find that there is nothing that can stay in my heart.

Of course, the appearance of the Chinese version will inevitably make people suspect that Chinese capital is involved. The investment in such a "cost-effective" project is indeed very effective. Later, like Naruto, it will be released slowly with Chinese participation in the creation, and then various evidences will be added. To prove that Guoman has "improved" and thus open up the "Chinese comics market", I can only say that if the genetically modified works like My Hero Academia are the goal of our domestic development, I can only say that the Chinese comics market will not be the same in the future. It won't be smooth sailing. Of course, if the import of Riman is blocked, it is possible to develop a "semi-closed" market, or fully open up with Riman's current innovation capabilities, and one day will be able to catch up, but I want to make it a real one." "The Chinese comics market" may still be difficult. What is lacking is not technical skills, but a pure heart that really wants to express something.

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