I haven't had a lot of time recently, and I'm not very experienced personally. I just share my personal views on the theatrical version of the little hero. Here are two tips:
1. Please read this long review after watching it, as it contains a lot of spoilers.
2. Although I really want to praise it, the following subjects are not praising how good this theatrical version is, and friends who feel good should be careful.
First of all, let's talk about the conclusion : there are few mistakes in the painting, and the scenes are very good, but too much emphasis is placed on "not making mistakes", which makes this theatrical version very "heroic". For fans, this is indeed "your" Hero Academia; but compared to this and the entire work, this is not "My Hero Academia".
The specific plot issues and rhythm issues are not listed first. What are the advantages of this article as the little hero is a rising JUMP pillar?
The overall setting is interesting, the image is vivid, the conflict between positive and negative, the plot is reasonable, and it will kill you if you burn it.
In the theatrical version, these advantages turned into Aizawa-sensei's bandages, which seemed a little tied.
The original setting is indispensable
Although there are a lot of places to complain, let's just pick a few. You said that this is college life, and you can't just accompany Uncle Ou on the island. Well, then there are various reasons for everyone to go together. You are because you have tickets, and I am because of the first place in the school festival. Although they did not participate in the main line, they still have to pay wages for a few shots in the hotel. To be honest, the scene where the students appeared on the stage really became more and more dramatic. At first, I thought that Uncle Ou would not be able to fly to the island, but it was incredible. Then I turned around and saw that you are also here... Everyone knows that you can't just paint these two people, so please look for them too. A little head start. Especially when the BOSS battle was about to start at the end, and suddenly, there was a scene of students Xiatang (and Seluo?) playing cards in the hotel, and I almost laughed out loud.
image building
When I was watching this theatrical version, it was like someone was nagging next to me: this is Lugu, Uncle Ou is a die-hard; this is Kajiang, he has a bad temper; this is the squad leader, and he has a straight face; this is Shangming, and the electrician is stupid ; This is the grape, I want to open the harem. Ka-chan and Kirishima have to have a friendly interaction (you ask me why I know your suit size?), Mr. Hung started playing with fire after the school festival, and when it comes to eight hundred, there must be cannons. Except for the part where Erlang listened to Uncle Ou's explanation of the situation, and Ye Yinmeng who was really caught guessing boxing, the other characters seem to have taken a piece of paper with the settings from this chapter. The same as it came out. I can understand the consideration of the producer. Half-group portraits, fans orientation, and theatrical version, it will take 120 minutes. Unlike this article, where there is room to create characters in different sections, but popular characters have to be described, so I have to move this article. Strengthen the character image. But I personally think that sometimes you only need to bring only one stroke. For example, it would be good to let Kajiang have a happy fight. Some fans of the original plot do not have to point it out. It is really nondescript to force everyone to take a photo of the concave shape in this article, and the actors and the audience will not laugh. Of course, if it is a theatrical version in which everyone takes pictures and fights monsters, the effect of this operation is estimated to be good. But after all, this theatrical version is not about friendship and victory, but is still dominated by the OFA mentoring group, which makes it a little embarrassing to watch these episodes. In general, whether out of prudence or to please the fans of this article, the theatrical version chose to copy most of the plot from this article to shape the characters. It is true that there is nothing wrong, but it is always a little less fun. To put it mildly, this is pure slack in terms of characterization and plot setting.
There is no point in conflict
Compared to this article, the presence of the villain is really thin. Let's just say that this castrated version of Magneto starts out in the dark, the middle part is in the dark, and it only stands up after the end of the fight. Now everyone knows that you will be deflated. Oh hoo, what about conspiracy? What about suspense? A typical three-nothing youth: no ideal, no IQ, no name. In alliance with the enemy in this article, Stein is not a villain in a world, but simply a legal sandbag. In the end, the big boss in this article insisted on showing his face to show that I also added a foot hehehe didn't expect it (doge face), which further weakened the meaning of the existence of Magneto. The fight scenes are really well done, but that's about it. Based on the original work, Bone Club can make animations like the seventh episode of the second season of 100% psychic. It cannot be said that there is no idea. It can only explain that this theatrical version really does not want people to watch it with their minds. Mr. Scientist's reversal has very little foreshadowing, and it is only at the end that he finds that there is no secret! So you have such a powerful thing! I just wanted to grab it for Uncle Ou! If everyone thinks the explanation is clear, then I have nothing to say.
The pace of the story is too steady
Introduce the process of this theatrical version: Round the PV → Uncle Ou leads the flight → The heroine appears → Everyone appears → Send a plug-in → Group late → Start climbing the tower → Come to a reversal → The final battle PLUS ULTRA!
Because of the points mentioned before, there are almost no ups and downs in the plot. If there is any, it is a fight, and you know who will win when you fight. Where is the original spark? Yes, it is also a fight, but after reasoning and then fighting, it is after thinking about it and then fighting. In the past, this punch might kill you or me. The ideas of the two sides collided and sparks flew. You and I had a huge disparity in strength and sacrificed your life. But looking at this process, I suspect that they encountered a small boss during the holiday. It took a little effort, but with the bonus of Uncle Ou's aura, it was easily killed. It's a pity that the theatrical version is made into a daily rhythm.
Is it on fire...?
To sum up, no. Where is the ignition? You have no personality either? Uncle Ou's end? The opponent is outrageous? Which point is the description of this article better than the theater version? The fighting was hearty and hearty, but it couldn't hide the pallor of mindless copying. The combined DS of Uncle Ou and Green Valley is really good, but other than that, all of them are inferior to the clichés in this article. In my mind, this represents a total failure of the theatrical version.
Epilogue
It's not that this theatrical version is bad, the action scenes are quite playable, but because it focuses too much on the fans, the whole film seems too conservative, and in some places it even feels a little brainless. It's also impossible. But as a fan of the original work and animation of Little Hero, I still feel very sorry for the performance of this theatrical version. To put it simply, I hope that with the blessing of such an excellent original work, it will have more room to play, the subject matter can be more interesting, and the conflict can be more diverse (it would be unreasonable to gag the Conan theatrical version!) . Instead, I have made a somewhat rigid "your" hero academia. The shots tell you that this is the hero you've seen before, but it's getting farther and farther from that hero.
I hope (and) the next theatrical version will bring more of the feeling to the audience when they watch this for the first time. Towards the far side, PLUS ULTRA!
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