The typical World War II theme, coupled with the story of the inhuman life of Jewish teenagers and children in concentration camps, reduces the tears. The nurse felt familiar when she appeared, and later found out that it was the movie theater proprietress in "Inglourious Basterds", and she played it well. This time, Uncle Jean Reno is just a role-playing role, optional. The other outstanding actors are a few Jewish children. Among them, there is a little boy named Nono who impressed me deeply. He has dark blue eyes, a tender voice, and simple words. I saw that he finally went to Auschwitz. The train felt so heartbroken, and when they finally saw that he survived and was adopted, many people in the theater sobbed. There were several scenes of Hitler, and the director probably wanted to use the dire straits of the Jews to satirize the singing and dancing around Hitler. But I always feel that the interspersed between these two parts is very blunt and does not achieve the effect expected by the director. There is a carousel under the Sacre Coeur in Montmartre, and the situation of Jewish children is also alluded to in this film. When all is well, the Trojan is running, seemingly peaceful, but in fact dark waves are surging: an SS photographed in front of the merry-go-round, and when he photographed a Jewish child with a large yellow satellite, he deliberately focused on the belt. A humiliating big satellite. When the Nazis planned to encircle the French Jews, the merry-go-round closed and ran under a gray curtain. After the victory of the war, the children happily played with the Trojan horse, and the Allies took pictures in front of the Trojan horse. As the saying goes, extremes must be reversed. Overall, the film has a strong emotional buildup in it, but that makes everything seem a little stiff and stylized. However, because it is a World War II film, I still gave it four stars. I have no resistance to this type of film, especially the persecution of Jews, because these are all living historical facts, and history is so real and ruthless.
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