Some literary or ideological films that reflect the end of the Soviet Union will always come out and sigh that the building will collapse, or that the world is going to be absurd and clamorous. The black and deep cannabis selected drugs, which are made with a little curiosity, are just to reflect that a building is about to collapse, or it seems that only this kind of perverted chainsaw massacre can become black and absurd, or it seems that only the building is about to collapse. like clumps. I personally think that films like 200 are far less powerful in terms of political allegory than a war writer revealed that ordinary women in the 1950s and 1960s worked overtime at night to secretly make insoles at their homes, but they were thrown into prison for capitalism. one percent of the cases. I used the word "select drugs" before because I felt that the tone of the whole film was a trumpet of pain and moaning in the shape of finely polished mahogany furniture and Persian rugs
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