I finished watching the fourth season yesterday afternoon. How to say, if the price of getting ab in the first episode is to lose Joe Cole, it will be really painful. In the third episode, Tommy took lizzie to the bottom of the bridge, a place with special meaning left. I really think that either the plot is not very reasonable, or there is a problem with the characters, or I don't like Tommy anymore. Stand-in literature? But I don't love anyone anymore, and I think it's just some kind of obsession and unwillingness with Grace. And it's too much to save the country every time, but it fits what he said: "Everyone is a prostitute, just selling out different parts of themselves." It's pretty tasteless. Every time Linda speaks in Arthur's ear, it's obviously a message to God, but I always think of what happened to the devil's whisper.. And the painter of s3 Polly? Often this is not explained. Esmine can almost be said to be the direct cause of John's death, why write her like this? The first season of people is not so unreasonable, right? Why does esmine rush out every time John wants to do something, and why is it disgusting every time esmine rushes out? From the image to the tone to the point of view, there is no one that does not make the audience feel uncomfortable, and it is also powerful. It is estimated that the actors do not want to act after this season, so they can just write and go (painlessly substitute the screenwriter) Tommy said that mafia will also count the children, In fact, no, on the contrary, I have a kind of concern for children. I never thought that six bullets would not count as Charlie. And I would agree with Polly's one-for-one (although it is a bit naive), but I feel that this is the real grace and principle. Gangsters, not gangsters like shelbys, no wonder from the first season to the fourth season, from eating, drinking, prostitution, gambling to burning, killing and looting, I always feel that there is no difference between gangsters. People's attitude towards shelbys is only fear, avoidance Less than but not awe, so bandits are always bandits.
As for brody, I really think he is so charming, and he fits the name Luca so well, well-designed and really successful visa shots, since his first look, I haven't seen him in a shot for more than two seconds Li refrained from saying, "Fuck, he's so handsome." He was really elegant and aura. Once again confirming the majesty is not just talk. Also, it would be nice if you didn't bite a match, wouldn't it be more handsome to keep your mouth shut and look serious?
But now that such a charismatic character and antagonist has been created, why not make him and the plot more challenging? More evenly matched? In the end, he was shot dead in a sharp turn, and the gin spilled from the wine barrel stained him like urine, setting off the declaration of his mother Jean Gretel like a joke. I just want to say He deserves a graceful death. Why not let him be a little more cunning? Calm down a little more? Even more spicier? Why are the characters that have been buried in the foreshadowing of a season to be "solved" in less than a season? I had hoped that it would face evenly matched opponents like Finch and Greer. So far, I can only say that Jonathan's empathy is really rare. In retrospect, it all started just because Lizzie got on with the Italian man, and then every link went off the rails because of the emotional and inexplicable possessiveness that euphemistically called the "principle" index, outrageous and funny.
In the end, they said, "It's all over, there are no more enemies." Those on and off the show know it's impossible. So peace is just an illusion, an illusion. As in hunting, once you are on this road, there are dangers and dangers. There will never be an open road, and the crisis will be revealed. Therefore, the more peaceful the appearance, the harder it is to see the hidden threat, and the more panic you must be in, like the last. Thomas was in a trance on the bed again.
As usual, save
This is the end of pure enjoyment
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