The Phantom of the Opera

Kiley 2022-11-06 18:14:41

Every scene, every song, every stack is a classic, every character comes to life, it's so good, it feels like the notes are beating on my neurons. In fact, it was caused by seeing Hanyu's blood charm, and suddenly felt the music and him, and felt that they did have something in common, and then reviewed the Phantom of the Opera again. Whether it's a musical or a movie, the heroine's casting is so beautiful.

It is very able to understand all the confusion, helplessness, anxiety, disillusionment, and grief of the heroine. What I see is that I fall into unconsciousness and cannot extricate myself, wandering in belief and fear, anxiety and reluctance when belief collapses, If it weren't for the fact that the Phantom was already too twisted, it could not have been so. But no one can say what if for the phantom, as if it has crossed the starting point of no return journey. Therefore, tragic characters are unforgettable, especially the villain is full of unique charm and logical cause and effect, and what is reluctant to give up is the extreme talent and extreme tragedy. However, I still can't accept this distorted love in my heart, just like my first impression of Phantom, that it is a domestic violence man...

Phantom is like Christine's belief, it is not only the warmth brought by father's love and teachers, but also the beauty of the angle of music she has been pursuing. This angle of music is as blurry and irresistible as poppies, just like who Being able to refuse the music of night, the sound of music is like an air chrysalis surrounding you, slowly and gently washing away all the air in the world, escaping to the exclusive music of night, really intoxicated; this love triangle is like the heroine in Wandering and pulling between the yin and yang, the phantom brought Christine music and the so-called faith in music, but delusionally wanted to bring her into the darkness, because the heroine was his only light; The singing and commitment are particularly safe, constantly pulling the heroine back to the light, even if there is no father and angle of music, it is not a person without support. Everyone knows that Christine and the Viscount are the so-called beautiful love, just like the happy ending of the prince and Cinderella. Then, the most touching and impressive thing in the whole play is Christine's kiss to the Phantom, hoping that he can be redeemed in that kiss.

I can't help but think of the forest in Norway. Although I can't remember the general content, it vaguely feels like it. The love described there is also redemption. Redemption, one for one. I used to be confused because it seemed that every sex was a redemption from the abyss. The Phantom of the Opera probably used music to save the soul.

Just remember, I don’t know if I will have a new feeling when I watch it next time, but I still wish to see the live version of the musical tour one day, I hope I can afford it at that time and grab the front row

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Extended Reading

The Phantom of the Opera at the Royal Albert Hall quotes

  • The Phantom: Did I not instruct that box five was to remain open?

    Meg Giry: He's there! The Phantom of the Opera!

    Christine: It's him! I know it. It's him.

    Monsieur Firmin: [whispering] Calm down.

    Carlotta Guidicelli: [to Christine] Your part is silent! Little toad!

    The Phantom: A toad Madame? Perhaps it is *you* who are the toad.

  • Christine: [singing] Say you'll share with me one love. One lifetime.

    Raoul: [singing] Say the word and I will follow you.

    Christine: [singing] Share each day with me each night. Each morning.

    The Phantom: [singing] You alone can make my song take flight. It's over now the music of the night!