This is the second musical I've seen after Notre Dame de Paris. It's the 25th anniversary edition. I really like Western stage plays. On one stage, dancing, singing, and walking are done in one go, and there is a certain degree of relaxation. The transition between the beginning and the end is very natural and just right, and I admire the director's scheduling level.
The heroine's acting and singing skills are in place, and the appeal is strong, especially the classic aria after being dragged into the mirror by the phantom, induced by the phantom, echoed by the heroine, rising one after another, too wonderful and tacit, write the script for the arranger Applause. The heroine Christine's acting skills, I think it can be on the big screen. The feeling of helplessness, panic, struggle, grievance, and collapse after being controlled and threatened by the phantom makes the audience "I see pity" Strong empathy effect, when she was confessed by the Viscount, she showed the kind of excitement and excitement after being redeemed, like an oriole, with light steps and light posture, she is really a strength and beauty coexist. A good actor, the audience's mood seems to be tied to his hands.
Good works always express a kind of truth, goodness and beauty. I think the ending is very good. The heroine uses her kindness to resolve Phantom's morbid psychology caused by her naturally flawed body and the subsequent indifference of the world. He saved himself, the Viscount also saved a soul on the verge of destruction.
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