The movie doesn't have too much foreshadowing, and it goes straight to the point at the beginning. After Miriam's marriage to her husband, Antoine Beisong, broke down, she filed an application with a judge seeking independent custody of her 12-year-old son, Julianne. The hearing scene at the beginning lasted for ten minutes, with straightforward and bland dialogue, simple and deadly. In the end, Miriam won the custody battle. But the real "war" really kicked off at this time. Antoine's identity is husband and father. But it was clear that he couldn't manage his emotions well. Antoine is like an easy-to-cook dish, the temperature is slightly raised, and it quickly reaches the threshold of doneness without much timing. Therefore, it is easy to cross the line. In the film, Antoine is such a character. After a little trouble, he couldn't get what he wanted, and he started to get angry, move his hands and feet, and rarely consider other people's thoughts. Whether he is facing his wife or his son, he does not know the importance of proportion. Only on weekends will Antoine get custody of his son Julianne. At first, he was still in a very tender state and would take the initiative to care about his son's current situation, but when he wanted to know more about his wife's current situation through his son, such as where he lived, where he was going, why he didn't answer the phone and other information, he couldn't get his son's information. In response, he began to hoarse his voice and fell into a state of loss of control. So this has also become a vicious circle. The son is afraid of his father, accepts his father's custody, goes to his father's house for the night on weekends, and is alone with his father. These actions are not voluntary, but chosen because of fear. compromise. I think it can be understood that the custody Antoine has always wanted to fight for is not more out of responsibility, but a somewhat twisted self-evidence. At this time, he is unemployed, has not yet come out of the trough of his career, and his family relationship is in a mess. In short, this is a loser who is very unsatisfactory in life. Losers are always eager to prove their presence, but when a person has nothing, violence and anger become the "useless" way of venting. Like Antoine's father said, you always screw something up. When Antoine's mother unconsciously said that a friend saw Julianne on the bus. And the location is not Julianne's original address, and Antoine is provoked again. He is upset because the behavior of others is beyond his own logic. To put it bluntly, all he cares about from beginning to end is his own poor self-esteem, the so-called "father's image". The source of his anger, almost without exception, was when his image as a father was damaged. For Antoine, such a rupture is tantamount to a huge disgrace. When he finds his wife like a madman After the son's apartment, a bitter scene was staged, while crying bitterly, while eager for his wife to be reunited. I think a complete family image is too important for a man who is good at violence. Once he is out of a harmonious family relationship, he has nothing to do and cannot show himself as an orthodox "father image". In fact, he knows better than anyone that anger and violence are not the solution, but his sensitive and vulnerable character makes him always go to extremes, at the expense of hurting others. This is not to excuse his wife Miriam. She also has problems. She doesn't know how to resolve the tension in the family, and she seldom cares for her son. Her resentment towards her husband was largely borne by her son, because she refused to communicate with her husband, so Antoine could only pour out his anger on his son. The worst thing is his son Julianne. He is like beef slices in a Big Mac, with greasy cheese on the top and bitter lettuce on the bottom. In the failed marriage of his parents, he has completely become a battle of beasts. This can't help but remind people of the little boy in "No Love to Tell". On the night when his parents quarreled, he hid behind the door because he was afraid of crying too loudly, and sobbed softly. Children always have to clean up the mess for what their parents call "broken hearts." One night in the middle of the night, Antoine, who was completely broken down, ran to his wife's apartment with his father's shotgun, knocked on the door frantically, kicked the door, and demanded communication. Obviously, the middle-aged man in the camera has a completely overwhelmed psychological threshold. Only by revenge can he regain his authority. The saddest part is that an emotional super loser is completely comfortable in using violence. This selfishness is terrifying. The film comes to an abrupt end after Miriam and Julianne are rescued, leaving the audience with unlimited imagination. The director carefully arranged a lot of foreshadowing, so that the arrival of the final climax almost had a ready-to-play effect. Hitchcock-style suspense thrillers, elevators running in the middle of the night, manic doorbells, and lights in the corridors, these elements infinitely magnify the horror of violence, accurately showing a cross-section of family relationships: the death of marriage. Another impressive aspect of this film is that there is no soundtrack at all. With the combination of freeze-frame shots, it looks very calm and objective, which not only does not weaken, but strengthens the emotional push. This is probably the reason why I am surprised: it does not seem to be a debut novel at all, Xavier Leger is really promising, in my opinion, this is more than Dolan's cock, I don't know how many levels. Without a harmonious family relationship, there is nothing he can do to present himself as an orthodox "father figure". In fact, he knows better than anyone that anger and violence are not the solution, but his sensitive and vulnerable character makes him always go to extremes, at the expense of hurting others. This is not to excuse his wife Miriam. She also has problems. She doesn't know how to resolve the tension in the family, and she seldom cares for her son. Her resentment towards her husband was largely borne by her son, because she refused to communicate with her husband, so Antoine could only pour out his anger on his son. The worst thing is his son Julianne. He is like beef slices in a Big Mac, with greasy cheese on the top and bitter lettuce on the bottom. In the failed marriage of his parents, he has completely become a battle of beasts. This can't help but remind people of the little boy in "No Love to Tell". On the night when his parents quarreled, he hid behind the door because he was afraid of crying too loudly, and sobbed softly. Children always have to clean up the mess for what their parents call "broken hearts." One night in the middle of the night, Antoine, who was completely broken down, ran to his wife's apartment with his father's shotgun, knocked on the door frantically, kicked the door, and demanded communication. Obviously, the middle-aged man in the camera has a completely overwhelmed psychological threshold. Only by revenge can he regain his authority. The saddest part is that an emotional super loser is completely comfortable in using violence. This selfishness is terrifying. The film comes to an abrupt end after Miriam and Julianne are rescued, leaving the audience with unlimited imagination. The director carefully arranged a lot of foreshadowing, so that the arrival of the final climax almost had a ready-to-play effect. Hitchcock-style suspense thrillers, elevators running in the middle of the night, manic doorbells, and lights in the corridors, these elements infinitely magnify the horror of violence, accurately showing a cross-section of family relationships: the death of marriage. Another impressive aspect of this film is that there is no soundtrack at all. With the combination of freeze-frame shots, it looks very calm and objective, which not only does not weaken, but strengthens the emotional push. This is probably the reason why I am surprised: it does not seem to be a debut novel at all, Xavier Leger is really promising, in my opinion, this is more than Dolan's cock, I don't know how many levels. Without a harmonious family relationship, there is nothing he can do to present himself as an orthodox "father figure". In fact, he knows better than anyone that anger and violence are not the solution, but his sensitive and vulnerable character makes him always go to extremes, at the expense of hurting others. This is not to excuse his wife Miriam. She also has problems. She doesn't know how to resolve the tension in the family, and she seldom cares for her son. Her resentment towards her husband was largely borne by her son, because she refused to communicate with her husband, so Antoine could only pour out his anger on his son. The worst thing is his son Julianne. He is like beef slices in a Big Mac, with greasy cheese on the top and bitter lettuce on the bottom. In the failed marriage of his parents, he has completely become a battle of beasts. This can't help but remind people of the little boy in "No Love to Tell". On the night when his parents quarreled, he hid behind the door because he was afraid of crying too loudly, and sobbed softly. Children always have to clean up the mess for what their parents call "broken hearts." One night in the middle of the night, Antoine, who was completely broken down, ran to his wife's apartment with his father's shotgun, knocked on the door frantically, kicked the door, and demanded communication. Obviously, the middle-aged man in the camera has a completely overwhelmed psychological threshold. Only by revenge can he regain his authority. The saddest part is that an emotional super loser is completely comfortable in using violence. This selfishness is terrifying. The film comes to an abrupt end after Miriam and Julianne are rescued, leaving the audience with unlimited imagination. The director carefully arranged a lot of foreshadowing, so that the arrival of the final climax almost had a ready-to-play effect. Hitchcock-style suspense thrillers, elevators running in the middle of the night, manic doorbells, and lights in the corridors, these elements infinitely magnify the horror of violence, accurately showing a cross-section of family relationships: the death of marriage. Another impressive aspect of this film is that there is no soundtrack at all. With the combination of freeze-frame shots, it looks very calm and objective, which not only does not weaken, but strengthens the emotional push. This is probably the reason why I am surprised: it does not seem to be a debut novel at all, Xavier Leger is really promising, in my opinion, this is more than Dolan's cock, I don't know how many levels. . Her resentment towards her husband was largely borne by her son, because she refused to communicate with her husband, so Antoine could only pour out his anger on his son. The worst thing is his son Julianne. He is like beef slices in a Big Mac, with greasy cheese on the top and bitter lettuce on the bottom. In the failed marriage of his parents, he has completely become a battle of beasts. This can't help but remind people of the little boy in "No Love to Tell". On the night when his parents quarreled, he hid behind the door because he was afraid of crying too loudly, and sobbed softly. Children always have to clean up the mess for what their parents call "broken hearts." One night in the middle of the night, Antoine, who was completely broken down, ran to his wife's apartment with his father's shotgun, knocked on the door frantically, kicked the door, and demanded communication. Obviously, the middle-aged man in the camera has a completely overwhelmed psychological threshold. Only by revenge can he regain his authority. The saddest part is that an emotional super loser is completely comfortable in using violence. This selfishness is terrifying. The film comes to an abrupt end after Miriam and Julianne are rescued, leaving the audience with unlimited imagination. The director carefully arranged a lot of foreshadowing, so that the arrival of the final climax almost had a ready-to-play effect. Hitchcock-style suspense thrillers, elevators running in the middle of the night, manic doorbells, and lights in the corridors, these elements infinitely magnify the horror of violence, accurately showing a cross-section of family relationships: the death of marriage. Another impressive aspect of this film is that there is no soundtrack at all. With the combination of freeze-frame shots, it looks very calm and objective, which not only does not weaken, but strengthens the emotional push. This is probably the reason why I am surprised: it does not seem to be a debut novel at all, Xavier Leger is really promising, in my opinion, this is more than Dolan's cock, I don't know how many levels. . Her resentment towards her husband was largely borne by her son, because she refused to communicate with her husband, so Antoine could only pour out his anger on his son. The worst thing is his son Julianne. He is like beef slices in a Big Mac, with greasy cheese on the top and bitter lettuce on the bottom. In the failed marriage of his parents, he has completely become a battle of beasts. This can't help but remind people of the little boy in "No Love to Tell". On the night when his parents quarreled, he hid behind the door because he was afraid of crying too loudly, and sobbed softly. Children always have to clean up the mess for what their parents call "broken hearts." One night in the middle of the night, Antoine, who was completely broken down, ran to his wife's apartment with his father's shotgun, knocked on the door frantically, kicked the door, and demanded communication. Obviously, the middle-aged man in the camera has a completely overwhelmed psychological threshold. Only by revenge can he regain his authority. The saddest part is that an emotional super loser is completely comfortable in using violence. This selfishness is terrifying. The film comes to an abrupt end after Miriam and Julianne are rescued, leaving the audience with unlimited imagination. The director carefully arranged a lot of foreshadowing, so that the arrival of the final climax almost had a ready-to-play effect. Hitchcock-style suspense thrillers, elevators running in the middle of the night, manic doorbells, and lights in the corridors, these elements infinitely magnify the horror of violence, accurately showing a cross-section of family relationships: the death of marriage. Another impressive aspect of this film is that there is no soundtrack at all. With the combination of freeze-frame shots, it looks very calm and objective, which not only does not weaken, but strengthens the emotional push. This is probably the reason why I am surprised: it does not seem to be a debut novel at all, Xavier Leger is really promising, in my opinion, this is more than Dolan's cock, I don't know how many levels. A young man, his psychological threshold has completely exploded. Only by revenge can he regain his authority. The saddest part is that an emotional super loser is completely comfortable in using violence. This selfishness is terrifying. The film comes to an abrupt end after Miriam and Julianne are rescued, leaving the audience with unlimited imagination. The director carefully arranged a lot of foreshadowing, so that the arrival of the final climax almost had a ready-to-play effect. Hitchcock-style suspense thrillers, elevators running in the middle of the night, manic doorbells, and lights in the corridors, these elements infinitely magnify the horror of violence, accurately showing a cross-section of family relationships: the death of marriage. Another impressive aspect of this film is that there is no soundtrack at all. With the combination of freeze-frame shots, it looks very calm and objective, which not only does not weaken, but strengthens the emotional push. This is probably the reason why I am surprised: it does not seem to be a debut novel at all, Xavier Leger is really promising, in my opinion, this is more than Dolan's cock, I don't know how many levels. A young man, his psychological threshold has completely exploded. Only by revenge can he regain his authority. The saddest part is that an emotional super loser is completely comfortable in using violence. This selfishness is terrifying. The film comes to an abrupt end after Miriam and Julianne are rescued, leaving the audience with unlimited imagination. The director carefully arranged a lot of foreshadowing, so that the arrival of the final climax almost had a ready-to-play effect. Hitchcock-style suspense thrillers, elevators running in the middle of the night, manic doorbells, and lights in the corridors, these elements infinitely magnify the horror of violence, accurately showing a cross-section of family relationships: the death of marriage. Another impressive aspect of this film is that there is no soundtrack at all. With the combination of freeze-frame shots, it looks very calm and objective, which not only does not weaken, but strengthens the emotional push. This is probably the reason why I am surprised: it does not seem to be a debut novel at all, Xavier Leger is really promising, in my opinion, this is more than Dolan's cock, I don't know how many levels.
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