The 18-year-old's hand is too small, if you want to hold love, you can't hold other.
It would be great if you could get them all. But Gatsby's American Dream ended in tragedy.
One reason rich people love to drink red wine is that price can differentiate themselves from poor people. The wealth of life makes them not need to consider whether they can afford it or not. For them, there are only want and don't want.
"I like you too. But so what?"
Cha Eun Sang's rhetorical question left Jin Tan speechless. What's the use of liking? Fear of not being able to sleep at night. A sweet burden is sweet to the prince, but a burden to Cinderella.
You can't keep me, you can't keep love. What's even scarier is that she also brings up the fact that the prince isn't really a prince. Cha Eun Sang's refusal was a level higher than Jin Tan's confession. There was not a single sentence in her that was a clear rejection, not a single sentence that did not want him to continue to hold her hand, but Jin Tan really couldn't hold her hand any longer. Her sharpness forced her to let go.
These two people are really a perfect match. Their confession and rejection are not asking, but letting you accept. In episode 8, I learned Kim Tan's confession, and almost all the women sitting in front of the TV were moved. As for Cha Eun Sang's rhetorical questioning and self-determination in episode 9, probably the women are collectively heartbroken.
This time Jinbian is a bit vicious. When she calls you to dream, she keeps telling you that it is a dream, using the protagonist's own mouth, the supporting role's mouth, and the viewer's own mouth. The audience, like the protagonist, can't sleep peacefully, and can't sleep soundly. It can be said that Jinbian is full of "malicious" in some places to wake everyone up suddenly. I think even if Eun Sang's dream catcher catches her and Jin Tan's sweet dreams, the viewers will probably suspect that the dream catcher is their own nightmare. We don't have Jin Tan, and we may not be able to do Eun Sang. .
The side with love is so miserable, the side without love is even worse. Love is the arbitrary act of smiling to one person. When we are moved by its actual softness, we always forget how cold and sharp it is towards others. Young Do and Rachel are the ones who got cut. Ying Dao said "I like you" followed by "But you hate me." Rachel said that he always wanted to fall in love with someone else. It's a loss that has nowhere to go.
When I got to this point, it was time to pick up Ying Dao and Rachel. I'm very surprised that Rachel first went to Yingdao after seeing them fighting, and it's even more strange that she said put the pigeons. I tried to analyze it, Rachel should be most concerned about Tan, she didn't go to him, there was only one reason - he would ignore her, Jin Tan was always mean to those who didn't love, Rachel didn't want to lose face. Then looking for Yingdao should be her to blame him - how did you hurt my fiancé. Of course, this kind of thing can't be described as putting pigeons, girl, you are here to find fault. But she used pigeons to describe it, which shows that she did not seek Yingdao to scold him. Then what can you do without scolding him? Isn't it just the other way around... I'm concerned about his injury. As a sister? I don't think Rachel would be conscious of this. She is the one who can't wait for the marriage of the two families to break down.
Let's dig a little deeper, it's unlikely that her meeting with Yingdao was an appointment, because Yingdao would not answer the phone in that state. The two of them usually make phone calls. hang over. When Ying Dao is in a bad mood, he probably won't fight. Then Rachel found it by herself. Then if you go to your door and someone is not there, how can you use the word "putting pigeons"? It's really strange that she feels like a promise that Young-do must be present unconditionally. Isn't this a requirement for boyfriends?
And even if we overturn all the conclusions and think that Yingdao made an appointment with her... Then regardless of whether Yingdao let her dove or not, just meeting the conditions means that Rachel is a higher rank to him than everyone else, maybe only Bean still lower level.
So I came to a conclusion that the dangling-eyed girl who sells water at home will not get Yingdao no matter what, without Eun Sang, and Rachel.
So I am at ease.
And Jin Yuan is not so lucky, his Cinderella is being coveted by others, and he has no substitute. He said that when people are in the empire, their hearts are not theirs. These words made me understand the biggest reason why rich people love red wine: no matter how many years it has been put on, there will always be a trace of the original bitterness hidden in the best red wine, and the bitterness of the aftertaste is probably the reason for deep love. Red wine is very much like their life that is clearly marked and sweet, but it is not at all. Sigh, Mrs. Red Wine, she is not enjoying life, she is venting, no matter how powerful she is and how fast she can recover, the damage she suffers always leaves scars. If you want to dress up beautifully and go to Yan (rich) to overwhelm the audience, the perfect form still ends with the mistress being driven away by the wife. The family also can't say anything. For the sake of the child's bow, when it comes to this aspect of suffering, she and Eun Sang's mother are really difficult sisters.
I've heard the saying that babies who are born start their lives by crying because they know that they are here to suffer, and they will suffer for a lifetime. No one can be a superman, be tortured by life, beaten by love, tortured by disease, it should be said that even if he is a superman, he also has superhuman troubles. In the play, it is said that adolescence is forced by the environment, so is growth measured by the number of times of laughter? When you no longer resist, when you accept silently, and when you go against your will, the more you smile, the less you smile, and the less you smile. Growth is a mirror that reflects people in opposite directions. When I was young, I could be happy all day, but when I grow up, I need a reason to be happy, but to be unhappy, there are always reasons for this and that.
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