very touching

Armando 2022-09-20 09:26:42

This film has the same narrative method as the original novel. The structure of flashbacks puts the haunted passages at the front of the whole film, and renders the tragic style of the whole film to the audience first, which is full of romanticism. At the end of the film, Khatchif finally committed suicide on the cliff and followed Kath away, once again pushing the story to a climax and elevating this relationship to a higher level. In fact, throughout the whole film, Khatchev's love and revenge are the main lines of the film, from which we can draw out the various ugly faces of the deformed society at that time. Handley, Kath, and Linton are all part of the ugliness of human nature in this society. Handley, who judges people by appearance, is selfish, vicious, and unscrupulous; Kath is vain, ignorant, and willing to betray Hatchiff for money; and Linton is a snob who thinks that if you have money, you will have everything. They constituted the microcosm of the society at that time, and people like Khachif who valued love and righteousness could only be oppressed and betrayed. Khakif's salted fish turn over the author's hope, but also an irony of hypocritical morality. When Emily Bronte focused on shaping this character, she had sympathy and indignation; pity and whiplash; both mourning for her misfortune and anger for it, her mood was extremely complicated.
"Wuthering Heights" has been regarded as one of the "most peculiar novels" in the history of British literature since its publication, and a "strange book" with "unpredictable". The reason is that it goes against the sentimental mood that prevails in contemporary works, and replaces the deep sadness and melancholy with intense love, violent hatred, and the ruthless revenge that arises from it. It is like a peculiar lyric poem, filled with rich imagination and violent emotions, and has a shocking artistic power.
"Wuthering Heights" has been put on the screen many times. In 1939, 1953, 1970, 1992 and other versions, the most classic is the version directed by William Wheeler in 1939. It better grasps the gloomy atmosphere, and portrays the tragedy of love in a heartwarming and infectious manner. The performance of the actors is also very skillful, especially the interpretation of the characters' identities with great contrast is remarkable. Oliver Lawrence is arguably the biggest star of the film, and it was his unforgettable performance before "The Prince's Revenge."

View more about Wuthering Heights reviews

Extended Reading

Wuthering Heights quotes

  • Cathy: [contemplative, facing the fireplace, upon hearing someone walk in] If that's you, Nellie, then I am sorry for scolding you. I wish now that you had stayed.

    Heathcliff: [walking up to Cathy] It is not Nellie, it is I.

    [while Cathy still refuses to look into his eyes]

    Heathcliff: Why, Cathy, what is it? What's the matter?

    Cathy: [finally looking up and at him, solemnly] Edgar Linton has asked me to marry him.

    Heathcliff: [searching Cathy's eyes] And, have you given him your answer?

    [Cathy nods negatively]

    Heathcliff: But you did not say no!

    [Cathy nods negatively, again]

    Heathcliff: And have you considered how you will bear the separation from me, and how I would be quite deserted in the world without you?

    [pauses for a moment]

    Heathcliff: Did you consider that?

    Cathy: You quite deserted! We separated! Who is to separate us, pray?

    Heathcliff: [stressing his each word] You would be Mrs. Linton.

    Cathy: Yes. As Mrs. Linton I can aid you to rise and place you out of my brother's power.

    Heathcliff: [with controlled indignation] With your husband's money you'll rescue me...

    [walking away from Cathy towards the door, and then turning back]

    Heathcliff: Do you think I can endure such a thing?

    [Cathy rushes to Heathcliff, attempts to kiss him]

    Heathcliff: [holding Cathy back, accentuating each word, with loathing] You will be Mrs. Linton.

  • Heathcliff: [bending over Cathy's coffin] You said I'd killed you... Haunt me then... Be with me always... Take any form, drive me mad but don't leave me. In this abyss where I cannot find you... I cannot live without my life, I cannot live without my soul...